{"id":114,"date":"2017-04-02T23:15:09","date_gmt":"2017-04-02T21:15:09","guid":{"rendered":"http:\/\/ginta.lv\/?p=114"},"modified":"2018-01-26T23:35:26","modified_gmt":"2018-01-26T21:35:26","slug":"mjw-2017-important-destinations","status":"publish","type":"post","link":"https:\/\/ginta.lv\/index.php\/2017\/04\/02\/mjw-2017-important-destinations\/","title":{"rendered":"MJW 2017 important destinations"},"content":{"rendered":"

<\/h3>\n\n\n\n\n
\u00a0<\/a><\/td>\n<\/tr>\n
The Danner Rotunda, Die Neue Sammlung, Munich<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

As almost every year since 1959 (there has been one exception in 1986 when the subsidy got discontinued) the exhibition known as Schmuck takes place in Munich. The event has been so much talked about that it seems impossible to say something new about its appearance. But exhibitions in Munich happen every year and it gives us new material to discuss. As the title of this article I have chosen the expression\u00a0important destinations<\/em>. That might sound a bit ambitious but let\u2019s say that these are important destinations for me and it makes it all sound right again.<\/p>\n\n\n\n\n
\u00a0<\/a><\/td>\n<\/tr>\n
Galerie Wittenbrink, Quidam, Otto K\u00fcnzli<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

I want to make it clear that there are several separate events relating to jewellery taking place in Munich in early spring and all together they can be called Munich Jewellery Week (MJW). This is a term that Current Obsession magazine came up with in 2015.<\/p>\n\n\n\n\n
\u00a0<\/a><\/td>\n<\/tr>\n
HD-treasure, Kellie Riggs (editor of Current Obsession Magazine, MJW co-coordinator), hand-engraved pin<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Before it would be called \u2013 \u201cevents relating to jewellery during the special show Schmuck at Internationale Handwerksmesse Munich (IHM)\u201d and that is the way some institutions still refer to the event. That is because Schmuck exhibition is the key event of MJW. It is not allowed to make photos in the Schmuck exhibition, because a catalogue is for sale, so I don’t have photos from the IHM. There are several other important components that build the whole. Within IHM you can find Talente \u2013 the young designer (or as they are called in the IHM brochure – craft professionals) competition that awards in several categories jewellery being one of them , Exampla \u2013 presenting craftsmanship and Meister Der Moderne \u2013 presenting modern works in the field of arts and crafts and the applied arts.<\/p>\n

There were several galleries presented in IHM this year. Galerie Spektrum, ATTA Gallery, Galerie Rosemarie J\u00e4ger, Galerie Marzee, Galerie Ra and Platina. It is always nice to step by the Chrome Yellow Books booth and this time with benefits \u2013 two of the Art Jewellery Forum (AJF) books – Shows and Tales\u2014On Jewelry Exhibition-Making and On and Off: Jewelry in the Wider Cultural Field. Both books are looking good. The first one seemed far more interesting than the second. This is of course just my opinion.<\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Galerie Spektrum, Die M\u00fcnchner Zeit II<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

At the same time there is plenty to see in Maxvorstadt, a district in central Munich. One of the main attractions since 2004 is The Danner Rotunda \u2013 permanent contemporary jewellery exposition at Die Neue Sammlung and a special display of an outstanding jewellery artist\u2019s work like Tone Vigeland this year.<\/p>\n

<\/div>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Die Nueue Sammlung \u2013 The Design Museum, Tone Vigeland, JEWELLERY \u2013 OBJECT \u2013 SCULPTURE exhibition opening<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Die Nueue Sammlung \u2013 The Design Museum, Tone Vigeland, JEWELLERY \u2013 OBJECT \u2013 SCULPTURE exhibition opening<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


\n<\/span><\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Tone Vigeland, JEWELLERY \u2013 OBJECT \u2013 SCULPTURE exhibition<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/div>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Die Nueue Sammlung \u2013 The Design Museum, Tone Vigeland, JEWELLERY \u2013 OBJECT \u2013 SCULPTURE exhibition opening<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/div>\n

The exhibition openings at Die Neue Sammlung bring together a significant number of visitors. To meet with fellow jewellery artists, collectors and other enthusiasts becomes as easy as it is to lose oneself in the crowd. It is also a place for Mobile Exhibitions as noMADs, Master students from the PXL-MAD School of Arts, Hasselt (Moana Andreani, Kristy Bujanic, Lara Ceuterick, Pia David).<\/span><\/p>\n

<\/div>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
noMADs, Master students from the PXL-MAD School of Arts<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


\nAcross the street from Die Neue Sammlung there is Galerie Wittenbrink, hosting Otto K\u00fcnzli this year. The gallery provides a neat exposition with welcoming staff and excellent choice of artists.<\/span><\/p>\n

<\/div>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Galerie Wittenbrink, Quidam, Otto K\u00fcnzli<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/div>\n

\u00a0<\/span><\/p>\n\n\n\n\n
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Galerie Wittenbrink, Quidam, Otto K\u00fcnzli<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/div>\n

\u00a0<\/span><\/p>\n\n\n\n\n
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Galerie Wittenbrink, Quidam, Otto K\u00fcnzli<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/div>\n

\u00a0<\/span><\/p>\n\n\n\n\n
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Galerie Wittenbrink, Quidam, Otto K\u00fcnzli<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/div>\n

\u00a0<\/span><\/p>\n\n\n\n\n
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Galerie Wittenbrink, Quidam, Otto K\u00fcnzli<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/div>\n

\u00a0<\/span><\/p>\n\n\n\n\n
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Galerie Wittenbrink, Quidam, Otto K\u00fcnzli<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/div>\n
<\/div>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Galerie Wittenbrink, Quidam, Otto K\u00fcnzli<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/div>\n

\u00a0<\/span><\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Galerie Wittenbrink, Quidam, Otto K\u00fcnzli<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Galerie Bir\u00f3 on Zieblandstra\u00dfe and Galerie Bir\u00f3 Junior on Luisenstra\u00dfe were pleasant to attend this year as well as the previous years.<\/span><\/p>\n

 <\/p>\n

<\/div>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Galerie Bir\u00f3 Junior zu Gast in der Galerie Royal, Karma, Coco Sung<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Galerie Bir\u00f3 Junior zu Gast in der Galerie Royal, Karma, Coco Sung<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Galerie Bir\u00f3 Junior zu Gast in der Galerie Royal, Karma, Coco Sung<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
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Galerie Bir\u00f3 Junior zu Gast in der Galerie Royal, Karma, Coco Sung<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Galerie Bir\u00f3 Junior zu Gast in der Galerie Royal, Karma, Coco Sung<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Galerie Bir\u00f3 Junior zu Gast in der Galerie Royal, Karma, Coco Sung<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Galerie Bir\u00f3 Junior zu Gast in der Galerie Royal, Karma, Coco Sung in the center<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
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Galerie Biro, Peter Bauhuis<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
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Galerie Biro, Peter Bauhuis<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
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Galerie Biro, Peter Bauhuis<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
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Galerie Biro, Peter Bauhuis, Olga Zobel in the center<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Galerie Biro, Peter Bauhuis<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/span><\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Jewellers\u2019Werk Galerie, MIXED GREENS, Bettina Dittlmann<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/span><\/p>\n

<\/div>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
84 GHz, Merging, Sara Gackowska and Federica Sala<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/span><\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
84 GHz, Merging, Sara Gackowska<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/div>\n\n\n\n\n
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84 GHz, Merging, Sara Gackowska and Federica Sala<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/span><\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
84 GHz, Merging, Federica Sala<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


\nKunstpavillon is a very welcoming art space and this year they offered the exhibition\u00a0tog_ther ! Fill in: e or a\u00a0<\/i>starring Peter Bauhuis, Emese Bencz\u00far, David Bielander, Florian Buddeberg, Shirin Damerji, Anna Eichlinger, Susanne Elstner, S\u0142awomir Fija\u0142kowski, Christiane F\u00f6rster, R\u00e9ka L\u00f6rincz, Daniel Michel, Anna Moll, Pavol Prekop, Nicola Scholz, Krist\u00fdna \u0160panihelov\u00e1, Gisbert Stach, Rose Stach, Norman Weber, Arek Wolski, Christoph Zellweger.<\/span><\/p>\n

<\/div>\n\n\n\n\n
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Kunstpavillon, tog_ther ! Fill in: e or a<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/span><\/p>\n\n\n\n\n
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Kunstpavillon, tog_ther ! Fill in: e or a, R\u00e9ka L\u00f6rincz<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/span><\/p>\n\n\n\n\n
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Kunstpavillon, tog_ther ! Fill in: e or a, R\u00e9ka L\u00f6rincz<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/span><\/p>\n\n\n\n\n
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Kunstpavillon, tog_ther ! Fill in: e or a, Liesbeth den Besten (art historian) in the center<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Galerie Handwerk presented a wide range of iconic contemporary jewellery in the exhibition Tribute to Manfred Bischoff were in addition to Bischoff\u2019s work were the pieces by artists like Bernhard Schobinger, Robert Smit, Hermann J\u00fcnger, Kadri M\u00e4lk\u2026<\/p>\n

<\/div>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Galerie Handwerk, Tribute to Manfred Bischoff<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
<\/td>\n<\/tr>\n
Galerie Handwerk, Tribute to Manfred Bischoff<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/div>\n

\u00a0<\/span><\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Galerie Handwerk, Tribute to Manfred Bischoff<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/span><\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Galerie Handwerk, Tribute to Manfred Bischoff<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/span><\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Galerie Handwerk, Tribute to Manfred Bischoff<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/span><\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Galerie Handwerk, Tribute to Manfred Bischoff<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/span><\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
MJW 2017 discoverers jewellery artists Jelizaveta Suska and Laura Selecka<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/span><\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Galerie Handwerk, Tribute to Manfred Bischoff<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


\nA cross the river Isar in the North of Au-Haidhausen as excellent museum as Villa Stuck is located offering the MJW2017 visitors to see the jewellery artists Private Confessions in an exhibition with drawing and jewellery from artists such as Anton Cepka, Manfred Bischoff, Bruno Martinazzi, Giampaolo Babetto, Claus Bury, Peter Chang, Thomas Gentille, Hermann J\u00fcnger, Daniel Kruger, Otto K\u00fcnzli, Manfred Nisslm\u00fcller, Ruudt Peters and Hubertus of Skal among others.<\/span><\/p>\n

<\/div>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Museum Villa Stuck, Private Confessions, Anton Cepka<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/span><\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Museum Villa Stuck, Private Confessions<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/span><\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Museum Villa Stuck, Private Confessions<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/span><\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Museum Villa Stuck, Private Confessions<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/span><\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Museum Villa Stuck, Private Confessions<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


\nAkademieGalerie is always hard to find unless you know you\u2019re supposed to look underground in the U-Bahn station Universit\u00e4t. The gallery space is ascetic and this year it presented the works of Joohee Han, Shachar Cohen and Samira Goetz within the exhibition Vagabond Heaven.<\/span><\/p>\n

<\/div>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
AkademieGalerie, Vagabond Heaven, Joohee Han<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/span><\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
AkademieGalerie, Vagabond Heaven<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/span><\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
AkademieGalerie, Vagabond Heaven<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/span><\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
AkademieGalerie, Vagabond Heaven<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

There were a lot of other exhibitions worth visiting such as Time Perception VOL.3 by Hatara Project hosting artists Anke Huyben, Annea Lounatvuori, Christine Jalio, Elin Flognman, Ginta Zabarovska, Helmi Lindblom, Jelizaveta Suska, Marine Dominiczak, Melina Lindroos, Sara Malm, Susanna Yl\u00e4ranta, Wiebke Pandikow, Yasuyo Hida at Artspace LOVAAS; Ephemeral Paraphernalia at Atelier Von Gierke-Berr; work of Akiko Kurihara at Micheko Galerie; One of us cannot be wrong at Atelier Sunkler; Project Ojal\u00e1 at Caf\u00e9 Clara; Perseverance at Goldvogerl showing Babette Von Dohnanyi\u2019s work; Duality of Presence at super+ CENTERCOURT Gallery;Gold Rush at\u00a0Projektraum Kunstb\u00fcro reillplast and 7 Coordenadas among others.<\/span><\/p>\n\n\n\n\n
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HD-treasure, Patricia Domingues<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
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HD-treasure, Jiro Kamata<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
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HD-treasure, Adam Grinovich<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Goldvogerl, Perseverance, Babette Von Dohnanyi wearing her brooch<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Goldvogerl, Perseverance, Babette Von Dohnanyi<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Projektraum Kunstb\u00fcro reillplast, Gold Rush, Beatrice Brovia, Nicolas Cheng<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
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Micheko Galerie, The cat did it, Akiko Kurihara<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
<\/td>\n<\/tr>\n
7 Coordenadas, Joyas Sensacionales, F\u00e1tima Tocornal<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

<\/div>\n

 <\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
super+ CENTERCOURT Gallery, Duality of Presence<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
<\/td>\n<\/tr>\n
super+ CENTERCOURT Gallery, Duality of Presence<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/div>\n

 <\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
super+ CENTERCOURT Gallery, Duality of Presence<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
super+ CENTERCOURT Gallery, Duality of Presence<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
super+ CENTERCOURT Gallery, Duality of Presence<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
super+ CENTERCOURT Gallery, Duality of Presence, Sharon Massey<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
super+ CENTERCOURT Gallery, Duality of Presence, Kaiya Rainbolt<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Atelier Sunkler, One of us cannot be wrong<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Atelier Sunkler, One of us cannot be wrong, Babette Boucher<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Caf\u00e9 Clara, Project Ojal\u00e1, Alejandra Koreck<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Atelier Von Gierke-Berr, Ephemeral Paraphernalia<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Atelier Von Gierke-Berr, Ephemeral Paraphernalia, Arnaud Sprimont showing his work to Jelizaveta Suska and Laura Selecka<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n
<\/a><\/td>\n<\/tr>\n
Lovaas Artspace, Hatara Project, Time Perception Vol.3, from the opening night – Jelizaveta Suska, Ginta Grube (Zabarovska), Wiebke Pandikow, Christine Jalio and Marine Dominiczak<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0 The Danner Rotunda, Die Neue Sammlung, Munich As almost every year since 1959 (there has been one exception in 1986 when the subsidy got discontinued) the exhibition known as Schmuck takes place in Munich. The event has been so much talked about that it seems impossible to say something new about its appearance. But … <\/p>\n

Continue reading “MJW 2017 important destinations”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-114","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/posts\/114","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/comments?post=114"}],"version-history":[{"count":4,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/posts\/114\/revisions"}],"predecessor-version":[{"id":124,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/posts\/114\/revisions\/124"}],"wp:attachment":[{"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/media?parent=114"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/categories?post=114"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/tags?post=114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}