{"id":166,"date":"2018-01-27T01:38:03","date_gmt":"2018-01-26T23:38:03","guid":{"rendered":"http:\/\/ginta.lv\/?p=166"},"modified":"2018-01-27T12:04:12","modified_gmt":"2018-01-27T10:04:12","slug":"rotas-tie-ir-svetki-jewellery-it-is-a-feast","status":"publish","type":"post","link":"https:\/\/ginta.lv\/index.php\/2018\/01\/27\/rotas-tie-ir-svetki-jewellery-it-is-a-feast\/","title":{"rendered":"Rotas \u2013 tie ir sv\u0113tki!\/ Jewellery – it is a feast!"},"content":{"rendered":"

The exhibition Synergy. Contemporary Trends in Metal Art and Design<\/em><\/a>\u00a0is open at the Museum of Decorative Arts and Design in Riga (10\/20 Sk\u0101r\u0146u Street) from 15 December 2017 to 4 February 2018.\u00a0This text is dedicated to the jewellery and small objects that have been exhibited at the museum. At least for now text available only in latvian.\u00a0My apologies to English-speaking readers!<\/p>\n

No 2017. gada 15. decembra l\u012bdz 2018. gada 4. febru\u0101rim Dekorat\u012bv\u0101s m\u0101kslas un dizaina muzej\u0101 skat\u0101ma izst\u0101de Siner\u0123ija. Laikmet\u012bg\u0101s tendences met\u0101lm\u0101ksl\u0101 un dizain\u0101.<\/em> \u0160is teksts b\u016bs velt\u012bts tie\u0161i rot\u0101m un mazaj\u0101m form\u0101m, kas izst\u0101d\u012btas muzej\u0101.<\/p>\n

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Dal\u012bbnieku grupas bilde izst\u0101des atkl\u0101\u0161an\u0101; att\u0113ls \u2014 Dekorat\u012bv\u0101s m\u0101kslas un dizaina muzejs<\/figcaption><\/figure>\n

\u0160\u012b izst\u0101de patiesi ir liels notikums Latvijas rotu m\u0101kslas dz\u012bv\u0113. Atk\u0101rtoti n\u0101cies dzird\u0113t saj\u016bsmu par to ka beidzot, p\u0113c tik daudziem gadiem (gandr\u012bz 20), atkal sapulcin\u0101ti kop\u0101 akt\u012bvi str\u0101d\u0101jo\u0161ie met\u0101lm\u0101kslinieki. Tas tika akcent\u0113ts gan izst\u0101des preses konferenc\u0113[1]<\/a>, gan atkl\u0101\u0161an\u0101, gan muzeja r\u012bkotaj\u0101 pas\u0101kum\u0101 SARUNAS MUZEJ\u0100[2]<\/a>.<\/em><\/p>\n

Izst\u0101des preses rel\u012bze s\u0101kas ar v\u0101rdiem: \u201eizst\u0101de iez\u012bm\u0113 \u0161\u012b br\u012b\u017ea aktualit\u0101tes\u201d un cit\u0113jot izst\u0101des kuratori Andru Silap\u0113teri \u201eUnikalit\u0101te un smalkums attieksm\u0113 pret darbu, tas ir fascin\u0113jo\u0161i \u0161aj\u0101 izst\u0101d\u0113.\u201d Izst\u0101des galvenais fokuss ir autoru at\u0161\u0137ir\u012bg\u0101s pieejas un ekspoz\u012bcijas noz\u012bm\u012bgums noteikt\u0101 laika posm\u0101. Vai \u0161is laika posms ir p\u0113d\u0113jie 20 gadi vai p\u0113d\u0113jie 2 gadi, t\u0101 var\u0113tu b\u016bt t\u0113ma manam n\u0101ko\u0161ajam rakstam.<\/p>\n

Rotu m\u0101kslinieku atlase v\u0113rt\u0113jama \u013coti pozit\u012bvi, visi \u0161ie m\u0101kslinieki ir non\u0101ku\u0161i man\u0101 redzes lok\u0101 jau pirms \u0161\u012bs izst\u0101des. Visu m\u0101kslinieku darbi public\u0113ti ar\u012b manis veidotaj\u0101 instagram<\/em> kont\u0101\u00a0latvianartistjewelry<\/a>. Vien\u012bg\u0101 m\u0101ksliniece, kas izkr\u012bt no konteksta ir Monta Aps\u0101ne, jo vi\u0146a vair\u0101k atpaz\u012bstama ar savu ap\u0123\u0113rbu z\u012bmolu Collar<\/em><\/a> un darbu grafiskaj\u0101 dizain\u0101, maz\u0101k k\u0101 met\u0101lm\u0101ksliniece. Kas interesanti, p\u0113rn\u0101 \u00a0gada febru\u0101r\u012b manu uzman\u012bbu piesaist\u012bja tie\u0161i Montas Aps\u0101nes rad\u012bt\u0101s ausu rotas, kas ar\u012b apskat\u0101mas izst\u0101d\u0113. T\u0101s atg\u0101din\u0101ja Madaras Keid\u017eas<\/a> (Madaras Kr\u0101ti\u0146as) ausu rotas no kolekcijas Genius Loci<\/em>, ar kuru vi\u0146a 2016.gada septembr\u012b piedal\u012bj\u0101s grupas izst\u0101d\u0113 Vi\u0146as Da[r]b\u0101[3]<\/a><\/em>. S\u0101kotn\u0113ji dom\u0101ju ka tas ir m\u0101kslinie\u010du kopprojekts. Sav\u0101 veid\u0101 abas m\u0101kslinieces atsaucas uz Gerd Rothmann<\/em> 1976. gad\u0101 rad\u012btajiem \u0137erme\u0146a atl\u0113jumiem, kuros vi\u0146\u0161 piev\u0113rs\u0101s jauna veida rotu personaliz\u0101cijas l\u012bmenim, k\u0101 vi\u0146\u0161 pats to skaidro sav\u0101 2016. gad\u0101 Minhen\u0113 notiku\u0161\u0101s izst\u0101des katalog\u0101. Vi\u0146\u0161 raksta: “1976. gad\u0101 es radik\u0101li p\u0101rdom\u0101ju savu m\u0101ksliniecisko darb\u012bbu.\u00a0To liel\u0101 m\u0113r\u0101 izprovoc\u0113ja mans cie\u0161ais kontakts ar m\u016bsdienu t\u0113lot\u0101jm\u0101kslas tendenc\u0113m, mana ideja par rot\u0101m main\u012bj\u0101s.” Rotas bez \u012bpa\u0161as sasaistes ar valk\u0101t\u0101ju vi\u0146am \u0161\u0137ita p\u0101r\u0101k nejau\u0161as, p\u0101r\u0101k viegli aizvietojamas.<\/p>\n

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Monta Aps\u0101ne – ausu rota;\u00a0Madara Kr\u0101ti\u0146a – ausu rota\u00a0no kolekcijas Genius Loci<\/em><\/p>\n

\"http:\/\/www.gioiellocontemporaneo.it\/2016\/03\/08\/schmuck-2016-prosthesis-and-devices\/\"
Gerd Rothmann<\/figcaption><\/figure>\n

Preses konferenci atkl\u0101ja muzeja vad\u012bt\u0101ja Inese Baranovska skaidrojot, ka izst\u0101de ir t\u012brs kuratora darbs, taj\u0101 nav vienas skolas p\u0101rst\u0101vji, laika biedri vai k\u0101 cit\u0101di saist\u012bti m\u0101kslinieki. \u201eNepretend\u0113jot uz vispus\u012bgu t\u0113mas p\u0101rskatu, projekts apvieno 30 da\u017e\u0101du paaud\u017eu p\u0101rst\u0101vju veikumu\u201d[4]<\/a> rakst\u012bts preses rel\u012bz\u0113. Liel\u0101k\u0101 pateic\u012bba par \u0161o notikumu j\u0101saka kuratorei Andrai Silap\u0113terei. Uzdevums atlas\u012bt m\u0101ksliniekus izst\u0101dei izklaus\u0101s skaisti un c\u0113li, bet realit\u0101t\u0113 tas ir smags darbs dzen\u0101jot rok\u0101 da\u017e\u0101dus br\u012bvdom\u0101t\u0101jus. Izst\u0101de ir sen lolotas idejas realiz\u0101cija. Andrai protams bija vislab\u0101kie padomdev\u0113ji – LMA Met\u0101la dizaina katedras pasniedz\u0113ji, vi\u0146u starp\u0101 vi\u0146as pa\u0161as t\u0113vs – Andris Silap\u0113ters. Tie\u0161i no vi\u0146a pirms aptuveni tr\u012bs gadiem pirmo reizi dzird\u0113ju par \u0161\u0101das izst\u0101des tap\u0161anu.<\/p>\n

Met\u0101la katedras vad\u012bt\u0101js, m\u0101kslinieks Arv\u012bds Endzi\u0146\u0161 preses konferenc\u0113 pauda viedokli, ka izst\u0101d\u0113 redzamie darbi ir uzteicami tie\u0161i ar savu augsto kvalit\u0101ti un izcilo m\u0101kslinieku meistar\u012bbu darb\u0101 ar met\u0101lu. Vi\u0146apr\u0101t \u0161\u012b ir galven\u0101 \u012bpa\u0161\u012bba ar ko Latvijas m\u0101kslinieki var b\u016bt interesanti pasaul\u0113. J\u0101piekr\u012bt Arv\u012bda sac\u012btajam, visur pasaul\u0113 nov\u0113rt\u0113 kvalitat\u012bvi nostr\u0101d\u0101tas rotas, bet nevar aizb\u0113gt no m\u0101kslinieka galven\u0101 pirmuzdevuma \u2013 realiz\u0113t savu rado\u0161o, ori\u0123in\u0101lo ideju. K\u0101 interpret\u0113t rado\u0161umu<\/em> un or\u0123inalit\u0101ti<\/em>, tas ir katra m\u0101kslinieka zi\u0146\u0101.<\/p>\n

Rotu m\u0101ksla \u0161obr\u012bd pl\u016bst arvien dzi\u013c\u0101k laikmet\u012bg\u0101s m\u0101kslas \u016bde\u0146os. Paties\u012bb\u0101, tas notiek jau kop\u0161 20.gs. 70. gadiem, bet Latvij\u0101, k\u0101 post-padomju savien\u012bbas valst\u012b m\u0101kslas procesi krietni at\u0161\u0137iras no\u00a0vec\u0101s Eiropas,<\/em>\u00a0k\u0101 to nod\u0113v\u0113ja\u00a0<\/span>Donalds Ramsfelds. Pasaul\u0113 jau ilg\u0101ku laiku aktu\u0101la tendence rotas priek\u0161pl\u0101n\u0101 izvirz\u012bt st\u0101stu\u00a0 par \u0161o rotu, par t\u0101s tap\u0161anu vai k\u0101du citu ideju ar ko t\u0101 saist\u012bta. Mald\u012bgs ir uzskats, ka no \u0161\u0101das pieejas cie\u0161 izstr\u0101d\u0101juma kvalit\u0101te.<\/span><\/p>\n

Izst\u0101di papildina katalogs, kas ir viens no retajiem izdotajiem materi\u0101liem, kur iesp\u0113jams las\u012bt par rotu m\u0101ksliniekiem Latvij\u0101 \u0161obr\u012bd. Inese Baranovska izst\u0101des kataloga ievad\u0101 run\u0101 par visp\u0101r\u0113jo standartiz\u0101ciju un globaliz\u0101ciju, k\u0101 ar\u012b nozaru izpl\u016bdu\u0161\u0101s robe\u017eas, kas arvien apgr\u016btina rotu m\u0101kslas identit\u0101tes mekl\u0113jumus. Viena no v\u0113rt\u012bg\u0101kaj\u0101m kataloga da\u013c\u0101m ir izst\u0101des papildino\u0161o tekstu autores, m\u0101kslas v\u0113sturnieces Ilianas Veinbergas eseja “Met\u0101ls m\u016bslaiku Latvijas m\u0101kslas un dizaina kontekst\u0101”. \u0160aj\u0101 esej\u0101 varam iepaz\u012bties ar “\u012bso kursu Latvijas met\u0101la m\u0101kslas v\u0113stur\u0113” (\u0161\u012b raksta kontekst\u0101 las\u012bt – \u012bso kursu Latvijas rotu v\u0113stur\u0113).<\/span><\/p>\n

Rotu m\u0101ksla ir daudz pla\u0161\u0101ka joma, k\u0101 met\u0101la apstr\u0101des kvalit\u0101tes sl\u012bp\u0113\u0161ana \u0161\u012b v\u0101rda tie\u0161aj\u0101 un p\u0101rnestaj\u0101 noz\u012bm\u0113. \u0160aj\u0101 izst\u0101d\u0113 kuratorei ir izdevies par\u0101d\u012bt gan trad\u012bciju nostiprin\u0101tus principus, gan jaunus mekl\u0113jumus vai citiem v\u0101rdiem sakot: \u201eIzst\u0101de iez\u012bm\u0113 (\u2026), m\u0101kslinieku darb\u012bbas virzienus un rado\u0161os mekl\u0113jumus gan eksperiment\u0101l\u0101s, gan klasisk\u0101s formveid\u0113s rotu m\u0101ksl\u0101.\u201d[5]<\/a><\/p>\n

Likumsakar\u012bgi, ka iepriek\u0161\u0113j\u0101 liel\u0101 met\u0101lm\u0101kslas izst\u0101de notikusi pirms 20 gadiem un aptuveni pirms tik pat ilga laika par\u0101d\u012bjies termins laikmet\u012bg\u0101 amatniec\u012bba. Inese Baranovska izst\u0101des kataloga ievad\u0101 pavisam \u012bsi pieskaras \u0161ai t\u0113mai. Vi\u0146a jaut\u0101: \u201eKas ir met\u0101lm\u0101ksla m\u016bsdien\u0101s: m\u0101ksla, augstas kvalit\u0101tes amatniec\u012bba vai dizains? Laikam jau tas ir visu tr\u012bs min\u0113to jomu apvienojums,\u201d tekst\u0101 sniedzot atbildi. Par \u0161o t\u0113mu Toronto uzst\u0101jies ASV rotu m\u0101kslinieks, teor\u0113ti\u0137is Bruce Metcalf<\/a>\u00a0[6]<\/a>.<\/em>\u00a0Viena no sav\u0101m esej\u0101m kas tapusi\u00a020.gs. 90.gadu beig\u0101s<\/span>\u00a0v<\/span>i\u0146\u0161 \u0161\u0137etin\u0101jis v\u0101rda<\/span>\u00a0<\/span>amatniec\u012bba<\/em>\u00a0<\/span>noz\u012bmi laikmet\u012bg\u0101 kontekst\u0101<\/span>\u00a0. T\u0101pat k\u0101 vi\u0146a esej\u0101, kas attiecin\u0101ma uz ASV,<\/span>\u00a0Latvij\u0101 nov\u0113rojama cilv\u0113ku at\u0161\u0137ir\u012bga izpratne par terminolo\u0123iju un attieksme pret konkr\u0113tu terminu at\u0161\u0137ir\u012bgos laika periodos. V\u0101rda<\/span>\u00a0<\/span>amatniec\u012bba<\/em>\u00a0<\/span>noz\u012bme nemain\u0101s, main\u0101s apk\u0101rt\u0113jo priek\u0161stats par \u0161o v\u0101rdu.\u00a0<\/span>90. gados daudzi Latvij\u0101 str\u0101d\u0101jo\u0161i m\u0101kslinieki izce\u013coja uz ASV, t\u0101 sav\u0101 esej\u0101 raksta Iliana Veinberga.<\/span>\u00a0Iesp\u0113jams, tas izmain\u012bja m\u0101kslinieku skat\u012bjumu uz amatniec\u012bbu k\u0101 amatu.<\/span><\/p>\n

\u012apa\u0161i v\u0113l\u0113tos izcelt Krist\u012bni Nu\u0137i-Pante\u013cejevu, kura izst\u0101d\u0113 piedal\u0101s ar porcel\u0101n\u0101 veidot\u0101m piespraud\u0113m. Vi\u0146a ir viena no produkt\u012bv\u0101kaj\u0101m \u0161obr\u012bd akt\u012bvi str\u0101d\u0101jo\u0161\u0101m rotu m\u0101ksliniec\u0113m Latvij\u0101. Vi\u0146as augst\u0101s darba sp\u0113jas var apbr\u012bnot pateicoties m\u016bsdien\u0101s par ikdienu k\u013cuvu\u0161ajiem soci\u0101lajiem port\u0101liem<\/a>. Vi\u0146a pati raksta par saviem darbiem – Small pieces art<\/em>
\n1500 fl\u012bz\u012btes, simtiem porcel\u0101na l\u012bnijas, p\u0101ris t\u016bksto\u0161i birku, 10000 bumbi\u0146u, da\u017ei t\u016bksto\u0161i plastmasas p\u0113rl\u012b\u0161u, 1000 kafijas koci\u0146u, 11 km bambusa koci\u0146u, p\u0101ris simti \u010diekura lapi\u0146as, vair\u0101ki simti koka skaidu, daudz t\u016bksto\u0161i melnalk\u0161\u0146u \u010diekuru! \u0160\u0101di var\u0113tu raksturot vi\u0146as darb\u012bbas stilu. Vi\u0146as darbos savienojas smalks roku darbs ar konceptu\u0101lu ideju. Da\u017eos darbos viens vai otrs \u0146em virsroku, k\u0101 piem\u0113ram gredzens G\u016bst\u0101<\/em> ir izteikti konceptu\u0101ls. \u0160is darbs ticis veidots simpozij\u0101 Koka dimensijas<\/em>, kas notika M\u0101lpil\u012b (01.08.-07.08.2017.) Savuk\u0101rt izst\u0101d\u0113 Siner\u0123ija\u00a0<\/em>piespraude Mekl\u0113jot Atlant\u012bdu <\/em>ir meditat\u012bv\u0101 proces\u0101 tapis smalks re\u017e\u0123is. Tas rad\u012bts, k\u0101 pati m\u0101ksliniece smejas, ar\u00a0manu\u0101lo ploteri\u00a0<\/em>– m\u0101kslinieces roku.<\/p>\n

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Krist\u012bne Nu\u0137e-Pante\u013cejeva, piespraude Mekl\u0113jot Atlant\u012bdu, porcel\u0101ns, sudrabs, 2017<\/figcaption><\/figure>\n
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Krist\u012bne Nu\u0137e-Pante\u013cejeva Lielform\u0101ta rota “G\u016bst\u0101”, ozols, ner\u016bs\u0113jo\u0161ais t\u0113rauds, Izm\u0113rs 40×130<\/figcaption><\/figure>\n

M\u0101kslinieki, kurus var\u0113tu d\u0113v\u0113t par Putti galerijas grupu<\/em> – M\u0101ris Auni\u0146\u0161, Valdis Bro\u017ee, Andris Lauders, Guntis Lauders, M\u0101ris \u0160usti\u0146\u0161 un J\u0101nis Vilks ir labi paman\u0101mi Latvijas rotu m\u0101kslinieku kop\u0113j\u0101 ain\u0101. Vi\u0146u darbi regul\u0101ri redzami izst\u0101d\u0113s, piem\u0113ram M\u0101ra Auni\u0146a izst\u0101de Akmens Daba<\/em> apskat\u0101ma Galerij\u0101 Aps\u012bda l\u012bdz 31.01.2018. Ar\u012b man bijusi iesp\u0113ja paviesoties M\u0101ra Auni\u0146a darbn\u012bc\u0101, bet pavisam nesen darbn\u012bc\u0101 viesoj\u0101s ar\u012b arterritory.com.<\/a>\u00a0\u012asais foto st\u0101sta ievads pau\u017e vair\u0101kk\u0101rt dzird\u0113to apgalvojumu, ka M\u0101ris Auni\u0146\u0161 ir viens no nedaudziem rotu m\u0101ksliniekiem Latvij\u0101, kur\u0161 sav\u0101m rot\u0101m pats sl\u012bp\u0113 unik\u0101las formas akme\u0146us. Lai ar\u012b biju p\u0101rsteigta par \u0161o apgalvojumu, ja apl\u016bkojam izst\u0101des Siner\u0123ija<\/em> dal\u012bbnieku darbus j\u0101piekr\u012bt, ka akme\u0146us pa\u0161i sl\u012bp\u0113 tikai p\u0101ris m\u0101kslinieki. Ja nemaldos, bez M\u0101ra Auni\u0146a tie ir Zane un J\u0101nis Vilki.<\/p>\n

Vairums m\u0101kslinieku izst\u0101d\u0113 ekspon\u0113ja p\u0113d\u0113j\u0101 gada laik\u0101 rad\u012btus darbus, bet Valdis Bro\u017ee pied\u0101v\u0101 apskat\u012bt savu 2015. gad\u0101 tapu\u0161o gredzenu s\u0113riju Zirdzi\u0146i<\/em>, kas ir teju vai Latvijas laikmet\u012bgo rotu simbols. S\u0113rija sast\u0101v no 10 gredzeniem, kas ierindojas atbilsto\u0161\u0101s grad\u0101cij\u0101s- no monol\u012bta gredzena l\u012bdz daudzda\u013c\u012bgam, kin\u0113tiskam gredzenam.<\/p>\n

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Valdis Broze. Gredzens no s\u0113rijas “Zirdzi\u0146i\u201d. Sudrabs, kamie\u013ca kauls, apzelt\u012bjums, autortehnika, 30×40 mm, 2015<\/figcaption><\/figure>\n
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Valdis Bro\u017ee, ekspoz\u012bcija<\/figcaption><\/figure>\n

Klausoties k\u0101 m\u0101kslinieki koment\u0113 savus darbus muzeja r\u012bkotaj\u0101 pas\u0101kum\u0101 SARUNAS MUZEJ\u0100<\/em>\u00a0rad\u0101s saj\u016bta, ka \u0161is ir solis tuv\u0101k paties\u012bbai. Tik b\u016btiski ir dzird\u0113t m\u0101kslinieku viedokli, p\u0101rdomas, ideju un nost\u0101ju! Sarunas deva iesp\u0113ju sa\u0146emt pievienoto v\u0113rt\u012bbu, kas izst\u0101d\u0113s nereti iztr\u016bkst, vai paz\u016bd s\u012bk\u0101 druk\u0101 piestiprin\u0101ta pie podesta.\u00a0 M\u0101ra \u0160usti\u0146a cit\u0101ts: “Rotas \u2013 tie ir sv\u0113tki!”\u00a0k\u013cuva par virsrakstu \u0161im tekstam.<\/span>\u00a0T\u0101da ir M\u0101ra saj\u016bta par rot\u0101m.\u00a0 Un t\u0101da bija ar\u012b mana saj\u016bta ierodoties izst\u0101d\u0113.<\/span><\/p>\n

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M\u0101ris \u0160usti\u0146\u0161, ekspoz\u012bcija<\/figcaption><\/figure>\n

Sav\u0101di un skumji, ka izst\u0101des atkl\u0101\u0161an\u0101 nebija iesp\u0113ja sveikt Juri Gagaini (1994-2017). Vi\u0146a darbs 1\/4 da\u013ca no sap\u0146a<\/em> izst\u0101\u017eu z\u0101l\u0113 izpletis sp\u0101rnus k\u0101 pace\u013coties debes\u012bs.<\/p>\n

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Juris Gagainis “1\/4 da\u013ca sap\u0146a”, t\u0113rauds, alum\u012bnijs, bronzas l\u0113jums, jaukta tehnika, 2017<\/figcaption><\/figure>\n

Izst\u0101des iek\u0101rtojums, k\u0101 \u013coti daudz\u0101m izst\u0101d\u0113m \u0161obr\u012bd R\u012bg\u0101, tika uztic\u0113ts Kristianam Brektem. Cer\u0113ju sagaid\u012bt k\u0101du p\u0101rsteigumu attiec\u012bb\u0101 uz scenogr\u0101fiju. Nek\u0101du \u012bpa\u0161o p\u0101rsteigumu nebija, vien\u012bgais akcents – meistaru darba r\u012bku vitr\u012bna pret\u012b ieejai z\u0101l\u0113. Atkl\u0101\u0161an\u0101 run\u0101jot ar Andri Silap\u0113teri noskaidroju, liela da\u013ca instrumentu ir vi\u0146am piedero\u0161i, vai Arv\u012bda Endzi\u0146a vai no LMA darbn\u012bc\u0101m. K\u0101ds students nosm\u0113j\u0101s: “…un es mekl\u0113ju liel\u0101s mammas<\/em> urbi darbn\u012bc\u0101”. Par lielo mammu<\/em>\u00a0d\u0113v\u0113 liel\u0101ko virpu LMA Met\u0101la katedras studentu darbn\u012bc\u0101.<\/p>\n

Latvijas Nacion\u0101laj\u0101 m\u0101kslas muzej\u0101 nule k\u0101 bija skat\u0101ma Gun\u0101ra Kro\u013c\u013ca grafikas darbu izst\u0101de Kontrastviela<\/em>. Pats m\u0101kslinieks skaidroja, k\u0101 ticis pie daudzu gr\u0101matu ilustr\u0101ciju veido\u0161anas. Iespieddarbi parasti saist\u012bti ar stingriem termi\u0146iem un vi\u0146\u0161 jau studiju gados vienm\u0113r labi pratis tajos iek\u013cauties. \u0160\u0101da reput\u0101cija vi\u0146a <\/span>karjerai\u00a0n\u0101kusi tikai par labu. \u0160is cilv\u0113c\u012bgais skaidrojums man <\/span>rais\u012bja\u00a0asoci\u0101cijas ar izst\u0101des\u00a0Siner\u0123ija\u00a0<\/em>dal\u012bbnieku izv\u0113li. Ar\u012b man veidojot izst\u0101di\u00a0<\/span>\u0161\u0137iet<\/span>\u00a0<\/span>lo\u0123iski aicin\u0101t m\u0101ksliniekus, ar kuriem var r\u0113\u0137in\u0101ties – vi\u0146i savus darbus iesniegs laik\u0101. \u012apa\u0161i, ja izst\u0101di papildina katalogs, kas noz\u012bm\u0113 laic\u012bgi sagatavotus drukas darbus. Ar to ar\u012b var\u0113tu b\u016bt rakstur\u012bgi izv\u0113l\u0113tie izst\u0101des dal\u012bbnieki.<\/span><\/p>\n

 <\/p>\n

 <\/p>\n

[1]<\/a> http:\/\/87.246.173.75\/lv\/sbm\/apmekle\/pasakumi\/6205-preses-konference-sinergija-laikmetigas-tendences-metalmaksla-un-dizaina<\/p>\n

[2]<\/a> http:\/\/lnmm.lv\/lv\/dmdm\/apmekle\/pasakumi\/6209-sarunas-muzeja-sinergija-laikmetigas-tendences-metalmaksla-un-dizaina<\/p>\n

[3]<\/a> https:\/\/www.goethe.de\/ins\/lv\/lv\/ver.cfm?fuseaction=events.detail&event_id=20811874<\/p>\n

[4]<\/a> http:\/\/87.246.173.75\/lv\/sbm\/apmekle\/pasakumi\/6209-sarunas-muzeja-sinergija-laikmetigas-tendences-metalmaksla-un-dizaina<\/p>\n

[5]<\/a> http:\/\/arterritory.com\/lv\/dzivesstils\/atklasanas\/7157-fotoreportaza_izstades_sinergija._laikmetigas_tendences_metalmaksla_un_dizaina_atklasana\/<\/p>\n

[6]<\/a> https:\/\/www.brucemetcalf.com\/contemporary-craft<\/p>\n","protected":false},"excerpt":{"rendered":"

The exhibition Synergy. Contemporary Trends in Metal Art and Design\u00a0is open at the Museum of Decorative Arts and Design in Riga (10\/20 Sk\u0101r\u0146u Street) from 15 December 2017 to 4 February 2018.\u00a0This text is dedicated to the jewellery and small objects that have been exhibited at the museum. At least for now text available only … <\/p>\n

Continue reading “Rotas \u2013 tie ir sv\u0113tki!\/ Jewellery – it is a feast!”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-166","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/posts\/166","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/comments?post=166"}],"version-history":[{"count":16,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/posts\/166\/revisions"}],"predecessor-version":[{"id":196,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/posts\/166\/revisions\/196"}],"wp:attachment":[{"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/media?parent=166"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/categories?post=166"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/tags?post=166"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}