{"id":264,"date":"2019-07-05T17:17:24","date_gmt":"2019-07-05T15:17:24","guid":{"rendered":"http:\/\/ginta.lv\/?p=264"},"modified":"2019-07-05T21:41:01","modified_gmt":"2019-07-05T19:41:01","slug":"hatara-project","status":"publish","type":"post","link":"https:\/\/ginta.lv\/index.php\/2019\/07\/05\/hatara-project\/","title":{"rendered":"HATARA PROJECT"},"content":{"rendered":"

This is an article about the artist collective Hatara Project and their ongoing exhibition series Time Perception. In year 2015 Christine Jalio and Annea Lounatvuori organized their first solo show in Munich. Back then they knew little about how Hatara would grow in the following years. I have also become a part of the collective and have written about our meeting in previous articles as Jewellery in Munich 2015<\/a> and Hatara Project, <\/a>T\"\"<\/a>ime Perception VOL.2 #28 . This time I want to look at five consecutive exhibitions under the same title Time Perception (in some sources Time Perceptions).<\/p>\n

Here<\/a> I made a timeline with the help of infogram providing an overview on the previous\u00a0exhibitions in Munich .<\/p>\n

As I am a part of this project I might have a\u00a0biased opinion but my very\u00a0goal is to document and then to analyze if possible.<\/p>\n

The interesting factor is how one can follow the development of each participating artist over a five year perspective. But the\u00a0negative aspect for this kind of analysis is that only two af the members have participated in all five events. There are 14 different members participating in total. 2 of them have participated all years, 4 of them have participated all but first year and one has participated 3 times, one 2 times and 6 artists participated only once in 2017. The\u00a0chronological number of participants goes like this 2 – 6 – 13 – 8 – 8. The\u00a0reason of these numbers is quite explainable and practical. The first year it was two friends, fellow artists bringing their graduation work to the next level. The second year they invited three of their schoolmates and one random person they met in the first years opening (me<\/a>). The third year came with a bigger exhibition space. So to fill it all up each of the previous year artists invited a friend. As the venue dictates a lot in terms of the exhibiting possibilities the forth year left space for only eight members, so called “core group” from previous years and one invited artist. The fift year didn’t bring changes to the group of participants.<\/p>\n

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Time Perception vol.4, exhibition view, 07. -10.03.2018, FOER Ateljier, F\u00fcrstenstra\u00dfe 6 F (backyard), Munich<\/figcaption><\/figure>\n

There are a lot of\u00a0Pros and Cons for working in\u00a0 an international artist group. One of the major challenges was as simple as communication. As far as 21st century goes it was possible to contact and\u00a0to organize everything.\u00a0 There were several other hitches as in every group of people\u00a0going for a common goal. Someone\u00a0has family problems, someone – health issues. There are always\u00a0leaders and ones who go with the flow and sometimes the\u00a0proportions of the work done are not homogeneous\u00a0but it must be reckoned with. But the\u00a0experience gained is undeniable and the more you interact the more you benefit.<\/p>\n

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Time Perception vol.3, exhibition view, 08.-11.03.2017, Artspace Lovaas , F\u00fcrstenstra\u00dfe 6, M\u00fcnchen<\/figcaption><\/figure>\n

More about the artists involved. I am not going to copy-paste their artist statements and CV’s here but I can give a list of the artists with suggestions for further reading.<\/p>\n

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Photo from the process of the common piece by Ginta Grube and Jelizaveta Suska. Second step. 2019<\/figcaption><\/figure>\n

In the following paragraph I use parts from a text written by me for the exhibition in 2017<\/a>. Anke Huyben<\/a> investigates the beauty standards, body postures, adornment and wearability through her work. Marine Dominiczak<\/a> is working in close connection with the body as well – questioning the human being and the perception of its body inside the society. Christine Jalio<\/a> and Annea Lounatvuori<\/a> are the Hatara -project founders, for Christine contemporary jewellery is a rebellious art with no actual rules or true limits. Anneas jewellery pieces on the other hand are often inspired by the memories and feelings of her experiences. She is also the founder of\u00a0 PONY jewelry.\u00a0Ginta Grube<\/a> is an artist and researcher seeking to enrich the analysis of jewellery art and perception. She uses various materials that come to her path by accident and combines them with silver. Elin Flognman<\/a> takes interest in our desire to escape everyday life. Her artistic amibition is to find the point of intersection between the familiar and the extraordinary. Wiebke Pandikow<\/a> has a mind for green thinking. She continues to use recycled plastic bags in her work, these symbols for mindless consumerism and a throw-away society. Helmi Lindblom<\/a> starts her working process from playing with materials she has at home, mixing different media leads her wherever it is necessary to go, just like Yasuyo Hida<\/a> who approaches her work through experimenting with material. Jelizaveta Suska<\/a> is The Herbert Hofmann Prize 2016 winner, her pieces are a lot about feelings of nostalgia, of a moment in time. Melina Lindroos<\/a> jewellery is a reflection of her surroundings and thoughts and with them she hopes to evoke a calm and peaceful feeling in the viewer. Susanna Yl\u00e4ranta<\/a> is passionate to create and guide new events and concepts in the field of contemporary jewellery. Sara Malm<\/a> is the winner of the JPLUS Graduate Award 2016. She works with three materials – wood, metal and leather – different qualities that feel comfortable in her hand. “I believe in my hands. They made this work possible. When I trust them magic arises.” says Sara.\u00a0Malene Kastalje<\/a>\u00a0\u00a0is a Danish contemporary jewellery artist. She has a background as an experimental designer. Her jewellery is rich in colour and reminiscent of corals.<\/p>\n

Unfortunately in year 2017, when we had the biggest exposition,\u00a0 there was supposed to be Morven Downies work as well. But due to post office issues her work never made it to Munich. In some sources her name appears when looking for information about Time Perception VOL.3.<\/p>\n

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Malene Kastalje, “The Swollen Part”, brooch, 2016-18, silicone, niobium magnets, mixed media<\/figcaption><\/figure>\n

Now that I have mentioned each of the variables I can\u00a0continue with individual analysis.<\/p>\n

Thanks to\u00a0Annea Lounatvuori I have joined this project and I have to say she is one amaizing artist. We met\u00a0\u00a0with Annea in the exhibition opening in 2015. She was working with horse hair and Plexiglas and silver.\u00a0 After our first meeting in Munich we kept in contact and she happened to be traveling through my home town Riga and we met again. We went to have a drink and talked a lot about the way we see the jewellery art field in general and how we see our work in future. We both agreed on many ideas such as – education is most important and innovative thinking is crucial for\u00a0education. We also talked about commercial projects and how many artists share the opinion that if you work with a commercial brand you kind of sell your self to the consumers.\u00a0This was the time she was working active with her brand PONY. We both agreed that it is absolutely normal and even good to work on a brand and continue to develop other separate art projects as Annea was doing at the time.<\/p>\n

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Annea Lounatvuori, 2015, rings, plexiglas and silver<\/figcaption><\/figure>\n
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Annea Lounatvuori, source https:\/\/www.ponyjewelry.com\/<\/figcaption><\/figure>\n

Anneas’s work was and is bold and voluminous. In her jewellery pieces she emphasize the materials used. For example using horse tail she highlights the free fall of the tail. Using plexiglas she\u00a0exploits the kitsch, colours and the\u00a0\u00a0light games that the material provides. Next year in 2016 she presented a completely new collection called Chinatown. She still kept the horse hair as a\u00a0characterizing element in her work also using various materials from a hardware store. The inspiration for the massive and brave\u00a0performance by Annea came from her trip to New\u00a0York\u00a0and her getting lost in Chinatown.\u00a0She did not hesitate to share her experience in the despair and fear she felt while being lost and crying like an abandoned child. The message is not to be afraid of being afraid \u2013 she explained. (The last four sentences come from a previous text I wrote about the exhibition).<\/p>\n

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Annea Lounatvuori, compilation from the exhibition view, Zeichen der Zeit \u2013 Time perception, 10.-14.3.2015, Kunsthaus Maximilian, Maximilianstr. 54, Munich<\/figcaption><\/figure>\n
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Annea Lounatvuori, compilation from the exhibition view, Time Perception vol.2\u00a0 24.-27.02.2016, Galerie Vernon, Bl\u00fctenstra\u00dfe 1, Munich<\/figcaption><\/figure>\n
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Annea Lounatvuori, exhibition view, Time Perception vol.2\u00a0 24.-27.02.2016, Galerie Vernon, Bl\u00fctenstra\u00dfe 1, Munich<\/figcaption><\/figure>\n
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Annea Lounatvuori, two brooches and a ring made for the exhibition Time Perception VOL.3, 08.-11.03.2017 Artspace Lovaas , F\u00fcrstenstra\u00dfe 6, M\u00fcnchen<\/figcaption><\/figure>\n

One of the best qualities Annea holds is the ability to work clean and\u00a0professional with whatever material she holds her hands on. In the third exhibition in 2017 she presented fine and sensitive\u00a0interrelationships between geometry and nature.<\/p>\n

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Annea Lounatvuori, Time Perception vol.4, exhibition view, 07.-10.03.2018, FOER Ateljier, F\u00fcrstenstra\u00dfe 6 F (backyard) Munich<\/figcaption><\/figure>\n

We never know\u00a0what life will bring after the next corner and\u00a0 a close family member of Anneas\u00a0turned out to have Alzheimer \u0301s disease.\u00a0 Loosing someone close – not physically but emotionally and mentally – over a longer period of time, has taught her a lot about herself, she says. Her jewellery always expresses deep humane feelings and experiences she has gathered over time. Her collection out of egg shells was tonally soft\u00a0and tasteful. Many visitors were excited about the ability to express such feelings as collapse, inability to resist and fragility through jewellery pieces. This is yet another proof of contemporary jewellery going hand in hand with\u00a0contemporary art. The jewelery was made of genuine egg shells and, of course, they were to be gradually shattered.<\/p>\n

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Annea Lounatvuori, Infused Memory, 2019<\/figcaption><\/figure>\n

The last eshibition\u00a0Time Perceptions vol.5 was an experiment for all the artists. We agreed on building common jewellery pieces. One piece had each of the 8 artists interract with it. And several other pieces were made in pairs. The result was an experiment of course, but I have to say that the experience was worth it. Each artist also presented their individual work as well. Unfortunately the last exhibition was also the only one I didn’t get to visit in person. So these works I have seen only in photos. From the first gaze the brooch looks like candy. A bunch of candy\u00a0sticked alltogether with the\u00a0packaging. The title of the piece is\u00a0Infused Memory, and Annea speaks about some old photos she found with\u00a0her mother when she was in her early twenties. She saw the photos for the first time and they revealed an unknown page of her mothers life. In the photos she looked\u00a0very happy, bubbling with joy and so does the jewellery. Anneas work stays deeply personal as always.<\/p>\n

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Annea Lounatvuori, Infused Memory, Time Perceptions vol.5, exhibition view, 14.-17.03.2019., Autohaus Schwanthalerh\u00f6he, Ligsalzstra\u00dfe 17, Munich<\/figcaption><\/figure>\n
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Annea Lounatvuori, Christine Jalio, Helmi Lindblom, Melina Lindroos, Wiebke Pandikow, Ginta Grube, Jelizaveta Suska, Malene Kastalje, common piece in process, Time Perceptions vol.5, 14.-17.03.2019, Autohaus Schwanthalerh\u00f6he, Ligsalzstra\u00dfe 17, Munich<\/figcaption><\/figure>\n

Christine Jalio had a great\u00a0debut at the Munich Jewellery Week 2015 with her silk clay brooches and necklaces. This was a very\u00a0bold and promessing start. Christine had produced a\u00a0a solid ground for herself in the jewellery art scene but at the same time\u00a0it was quite a chalenge to continue without repeating herself.<\/p>\n

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Christine Jalio, compilation from the exhibition view,\u00a0Zeichen der Zeit \u2013 Time perception, 10.-14.3.2015, Kunsthaus Maximilian, Maximilianstr. 54, Munich<\/figcaption><\/figure>\n
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Christine Jalio, exhibition view,\u00a0Time Perception vol.2, 24.-27.02.2016, Galerie Vernon, Bl\u00fctenstra\u00dfe 1, Munich<\/figcaption><\/figure>\n

In the following year (2016) Christine used\u00a0contrast and\u00a0experimented with fragmentation. The perfect silk clay\u00a0sculptural forms\u00a0were difficult to intervene with.\u00a0Christine was and is very professional and I have to mention that her workmanship was always worked out to the last detail. Work with silver goes smooth for her.\u00a0Christines silk clay brooches were on sale at a separate table togather with Anneas PONY jewellery.<\/p>\n

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Christine Jalio, exhibition view,\u00a0Time Perception vol.2, 24.-27.02.2016, Galerie Vernon, Bl\u00fctenstra\u00dfe 1, Munich<\/figcaption><\/figure>\n
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Christine Jalio, exhibition view, Time Perception vol.3, 08.-11.03.2017 Artspace Lovaas , F\u00fcrstenstra\u00dfe 6, M\u00fcnchen<\/figcaption><\/figure>\n

Interesting that in 2017 both Annea and Christine started using raw objects from the nature or found objects in their work. By that time Christines silk clay brooches had becoma almost a classic in contemporary jewellery. A lot of people prefered the bright colours as the\u00a0sunny (lemon) yellow.<\/p>\n

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Christine Jalio, brooch Solipsism, for the exhibition Time Perception vol.3, 2017, Silk Clay, mixed media, silver<\/figcaption><\/figure>\n
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Daniela Boni\u00a0(jewelry designer) with her brooche by\u00a0Christine Jalio, source: https:\/\/www.misjab.nl\/en\/snelle-street-style-kiekjes-tijdens-sieraad-art-fair-2016\/<\/figcaption><\/figure>\n
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Christine Jalio, Time Perception vol.4, exhibition view, 07.-10.03.2018, FOER Ateljier, F\u00fcrstenstra\u00dfe 6 F (backyard) Munich<\/figcaption><\/figure>\n

In the exhibition\u00a0Time Perception vol.4 Christine decided to step into a completely new river. She\u00a0refused to use the material\u00a0she trusted and knew so well, maybe too well – silk clay – and tried to look back to her roots with some\u00a0old techniques.<\/p>\n

As Christine says about her work in the beginning of 2019 –\u00a0This series was born out of contradiction, polarity and antonyms -all negative becoming something positive.\u00a0Like a cocoon with a strangely beautiful, strong and\u00a0 tough moth that is still evolving and showing you its middle finger on the way out – Christine compares. The new collection depicts the artist’s personality, she has a strong character and stedy as a rock when most needed. She is not afraid to experiment and make a joke even at the\u00a0most serious of times.
\n<\/span><\/p>\n

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Christine Jalio, Blow me! Time Perceptions vol.5, exhibition view, 14.-17.03.2019., Autohaus Schwanthalerh\u00f6he, Ligsalzstra\u00dfe 17, Munich<\/figcaption><\/figure>\n
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Annea Lounatvuori and Christine Jalio, common piece in process, Time Perceptions vol.5, 14.-17.03.2019, Autohaus Schwanthalerh\u00f6he, Ligsalzstra\u00dfe 17, Munich<\/figcaption><\/figure>\n

There is one other person in Hatara Project thad\u00a0we all definitely owe for the invested work to produce maximum returns. She is Helmi Lindblom, also from Lahti, Finland. Her approach to jewellery is more\u00a0playful and experimental material-ways. My first meeting was with her work, not the person. I have to say I was surprised. From the background were I come from (Art Academy of Latvia, Metal design department) jewellery must never be secured with glue or resin materials and silver or other metal is\u00a0recommended for\u00a0jewellery fittings. The\u00a0view might be a bit\u00a0outdated but still sometimes I highly respect the core values in jewellery art. That doesn’t mean I always follow them. But Helmis collection had such freedom that I partly envy – in a good way. I somehow learned that a little Pollock <\/em>in your jewellery can do no harm or on the contrary it can save the day.<\/p>\n

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Helmi Lindblom, “tule-come”, exhibition view,\u00a0Time Perception vol.2, 24.-27.02.2016, Galerie Vernon, Bl\u00fctenstra\u00dfe 1, Munich<\/figcaption><\/figure>\n
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Helmi Lindblom, Tule \/Come, photo: Ninni Vidgren, source: https:\/\/www.strangebutjewelry.com\/tule-come<\/figcaption><\/figure>\n

One thing we all agreed on was the need of\u00a0high quality photos and in 2017 Helmi mastered this perfectly. Her photoshoot with\u00a0Ninni Vidgren<\/a> and\u00a0\u00a0Josephine as model was a\u00a0perfect hit. Her work was the “face” of Hatara Project in social network and on-line sites that year.<\/p>\n

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Helmi Lindblom, Fruitfully Yours, 2015-2016, photo: Ninni Vidgren, model Josephine, source: https:\/\/www.strangebutjewelry.com\/fruitfully-yours<\/figcaption><\/figure>\n
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Helmi Lindblom work on the right, exhibition view, Time Perception vol.3, 08.-11.03.2017 Artspace Lovaas , F\u00fcrstenstra\u00dfe 6, M\u00fcnchen<\/figcaption><\/figure>\n
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Helmi Lindblom work for the exhibition Time Perception vol.3, 08.-11.03.2017 Artspace Lovaas , F\u00fcrstenstra\u00dfe 6, M\u00fcnchen<\/figcaption><\/figure>\n

From year 2018 I have just a few photos, so not a very good one with Helmis work. But in building the exposition Time Perception vol.4 she put so much effort that I feel I can’t thank enough. For the first time we\u00a0refused to use milk paper and Helmi designed custom black frames for the exposition. Her work had more\u00a0\u00a0ground colours and she wasn’t shy to talk about the news in her life – a child.\u00a0Apart from the exposition she also continued her work with photography and she is the author of Hatara Project publicity photos with\u00a0cotton candy, that is the literal translation of Hatara Project. There were several very good shots so we used photos for posters and all other materials from the photoshoot the following years as well. Also our Hatara Project page<\/a> has come alive thanks to Helmi and others as well of course.<\/p>\n

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Hatara Project publicity photo, photo: Ninni Vidgren, 2017<\/figcaption><\/figure>\n
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Helmi Lindblom and Jelizaveta Suska discussing 3D jewellery project by Jelizaveta. Helmi is wearing her brooch and in the back on the right is her work together with Wiebke’s Pandikow’s work, Time Perception vol.4, exhibition view, 07.-10.03.2018, FOER Ateljier, F\u00fcrstenstra\u00dfe 6 F (backyard) Munich<\/figcaption><\/figure>\n

Helmi continued to surprise with her capability\u00a0in the beginning of 2019. The venue presented some difficulties – the exhibition had to be built in a very small space + it was a street window. But Helmi didn’t hesitate and thought of a good solution exposing pieces on small round boards adding extra pointed light. About her art works in\u00a0Time Perceptions vol.5, Helmi explains her jewellery pieces circle around personal feelings, surprising materials, color and tactility. The last one I feel (literaly and\u00a0figuratively) in all her work through the years. She also states that\u00a0touchable art is a way to bring art closer to everyday life and that is what she is doing all the time.<\/span><\/p>\n

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Helmi Lindblom, Delayed Reactions, Late fruit, Bronze, 2019, for the exhibition Time Perceptions vol.5<\/figcaption><\/figure>\n

I haven’t mentioned all the artists equally, but I hope this article will await a second part and I will continue with others as well.<\/p>\n

In the end you can see the full table with details about the exhibitions. Thank you for reading! Please contact me for any mistakes in the article!<\/p>\n\n\n\n\n\n\n\n\n\n
<\/td>\n2015<\/td>\n2016<\/td>\n2017<\/td>\n2018<\/td>\n2019<\/td>\n<\/tr>\n
Title<\/td>\nZeichen der Zeit \u2013 Time perception<\/td>\nTime Perception VOL.2<\/td>\nTime Perception VOL.3<\/td>\nTime Perception Vol.IIII<\/td>\nTime Perceptions 5<\/td>\n<\/tr>\n
Sites<\/td>\nCURRENT OBSESSION<\/a><\/p>\n

ginta.lv<\/a><\/td>\n

ginta.lv<\/a><\/p>\n

klimt02.net<\/a><\/p>\n

CURRENT OBSESSION<\/a><\/td>\n

ginta.lv<\/a><\/p>\n

klimt02.net<\/a><\/td>\n

video<\/a><\/p>\n

klimt02.net<\/a><\/td>\n

klimt02.net<\/a><\/p>\n

MJW2019<\/a><\/td>\n<\/tr>\n

Date and time<\/td>\n10.3.2015 – 14.3.2015 Opening 10.03.2015 19:00 \u2013 22:00 Wed-Fri 10:00 – 19:00 Sat 11:00 – 16:00, Sun closed<\/td>\n24.02.2016 – 27.02.2016<\/p>\n

Opening 24.02 19:00-22:00<\/p>\n

Thu, Fri 11:00-19:00, Sat 12:00-17:00<\/td>\n

08.03.2017-11.03.2017<\/p>\n

Opening 08.03 19:00<\/td>\n

07.03.2018\u00a0 –\u00a0 10.03.2018 Opening: Wednesday 7.3.2018 from 19.00 to 22.00<\/td>\n14.03.2019-17.03.2019. Opening: 14.03 17:00-20:00<\/p>\n

Regular hours:<\/p>\n

Fri 10:00-18:00<\/p>\n

Sat 10:00-18:00<\/td>\n<\/tr>\n

Location<\/td>\nKunsthaus Maximilian, Maximilianstr. 54, 80538 Munich<\/td>\nGalerie Vernon, Bl\u00fctenstra\u00dfe 1, Munich<\/td>\nArtspace Lovaas , F\u00fcrstenstra\u00dfe 6, 80333 M\u00fcnchen<\/td>\nFOER Ateljier<\/p>\n

F\u00fcrstenstra\u00dfe 6 F (backyard)<\/p>\n

80333 Munich<\/td>\n

Autohaus Schwanthalerh\u00f6he, Ligsalzstra\u00dfe 17<\/td>\n<\/tr>\n
Participants<\/td>\nAnnea Lounatvuori, Christine Jalio<\/td>\nAnnea Lounatvuori, Christine Jalio, Helmi Lindblom, Melina Lindroos, Wiebke Pandikow, Ginta Grube<\/td>\nAnnea Lounatvuori, Christine Jalio, Helmi Lindblom, Melina Lindroos, Wiebke Pandikow, Ginta Grube, Jelizaveta Suska, Elin Flognman, Anke Huyben, Marine Dominiczak, Yasuyo Hida, Sara Malm, Susanna Yl\u00e4ranta, Morven Downie<\/span><\/td>\nAnnea Lounatvuori, Christine Jalio, Helmi Lindblom, Melina Lindroos, Wiebke Pandikow, Ginta Grube, Jelizaveta Suska, Malene Kastalje<\/td>\nAnnea Lounatvuori, Christine Jalio, Helmi Lindblom, Melina Lindroos, Wiebke Pandikow, Ginta Grube, Jelizaveta Suska, Malene Kastalje<\/td>\n<\/tr>\n
Short description<\/td>\nThe work of two young jewellery designers and artist from Finland. Under the alias Hatara Project, A. Lounatvuori and C. Jalio will present their personal visions with the title. The exhibition is also part of their Thesis work for the Lahti Institute of Design from where they will be graduating in May 2015.<\/td>\nA.Lounatvuori and C. Jalio return to Munich this year, this time with more international background. The six jewellery artists will revisit Hatara Project\u2019s theme of last year, Time Perception, with a wide array of pieces in different styles and materials.<\/td>\nIn year 2017 Hatara Project was about to gather a wider group of artists. The participants in Time Perception VOL.3 were all invited by someone from the previous year\u2019s group. So we were all friends and like-minded jewellery artists.<\/td>\nHatara Project is back in Munich and returning to Munich Jewelry Week with pieces telling tales of memory and misunderstanding, of crystallized moments and home and the need for simple joys, of the sea and things left at the edge of it.<\/td>\nIt was 5 years ago that Annea Lounatvuori and Christine Jalio first appeared at Munich Jewellery Week with Hatara, which makes this year a special anniversary for us. Hatara has certainly grown over this time, from originally 2 to the 8 artists that make up Hatara today.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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This is an article about the artist collective Hatara Project and their ongoing exhibition series Time Perception. In year 2015 Christine Jalio and Annea Lounatvuori organized their first solo show in Munich. Back then they knew little about how Hatara would grow in the following years. I have also become a part of the collective … <\/p>\n

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