{"id":303,"date":"2018-09-19T20:25:07","date_gmt":"2018-09-19T18:25:07","guid":{"rendered":"http:\/\/ginta.lv\/?p=303"},"modified":"2018-09-19T20:25:07","modified_gmt":"2018-09-19T18:25:07","slug":"vai-svarigi-nosaukt-lietas-varda","status":"publish","type":"post","link":"https:\/\/ginta.lv\/index.php\/2018\/09\/19\/vai-svarigi-nosaukt-lietas-varda\/","title":{"rendered":"Vai svar\u012bgi nosaukt lietas v\u0101rd\u0101?"},"content":{"rendered":"<p>Kalnciema kvart\u0101la galerij\u0101, R\u012bg\u0101, no 2018. gada 6. augusta l\u012bdz 2. septembrim bija skat\u0101ma izst\u0101de \u201cMet\u0101ls\u201d, kas apvieno liel\u0101s formas darbus no nesen notiku\u0161\u0101s v\u0113rien\u012bg\u0101s met\u0101lm\u0101kslas izst\u0101des \u201cSiner\u0123ija\u201d <a href=\"#_ftn1\" name=\"_ftnref1\">[1]<\/a>. 24. august\u0101 notika izst\u0101des \u201cMet\u0101ls\u201d ietvaros paredz\u0113tais publiskais priek\u0161las\u012bjums par met\u0101lm\u0101kslu Latvij\u0101. K\u0101 run\u0101t\u0101ju izst\u0101des kuratore Iliana Veinberga bija aicin\u0101jusi m\u0101kslas zin\u0101tnieci un kuratori \u00a0Andru Silap\u0113teri. P\u0113c Andras priek\u0161las\u012bjuma, it k\u0101 <em>par aktu\u0101laj\u0101m tendenc\u0113m met\u0101lm\u0101ksl\u0101 Latvij\u0101 un kuratores darbu \u0161aj\u0101 jom\u0101<a href=\"#_ftn2\" name=\"_ftnref2\"><strong>[2]<\/strong><\/a><\/em>, bet realit\u0101t\u0113 par augst\u0101k min\u0113to izst\u0101di \u201cSiner\u0123ija\u201d, kur\u0101 Andra bija kuratore, Kalnciema kvart\u0101la galerij\u0101 ies\u0101k\u0101s diskusija par met\u0101lm\u0101kslu pretnostat\u012btu laikmet\u012bgajai m\u0101kslai. Nedaudz p\u0101rsteigta bija run\u0101t\u0101ja, jo san\u0101ku\u0161ie, uz rokas pirkstiem saskait\u0101mie, cilv\u0113ki p\u0101rsvar\u0101 bija gan darbu autori, vi\u0146u radinieki, gan ar met\u0101lm\u0101kslu cie\u0161i saist\u012bti cilv\u0113ki, k\u0101 es. Andra lika noprast, ka gatavojusies publikai bez priek\u0161zin\u0101\u0161an\u0101m, bet san\u0101ca glu\u017ei pret\u0113ji. Ievadv\u0101rdus sakot Iliana nor\u0101d\u012bja uz radu\u0161os situ\u0101ciju un aicin\u0101ja kl\u0101teso\u0161os papildin\u0101t st\u0101st\u012bjumu. Andras uzdevums nebija viegls, gandr\u012bz k\u0101 st\u0101st\u012bt m\u0101ksliniekiem par vi\u0146u pa\u0161u darbiem. S\u0113\u017eot un klausoties es dom\u0101ju par to, k\u0101p\u0113c vajadz\u012bgi m\u0101kslas zin\u0101tnieki. Iliana piemin\u0113ja, ka priec\u0101jas par Andru, kas piekritusi run\u0101t, jo, piem\u0113ram, stikla m\u0101kslas izst\u0101d\u0113 bijis j\u0101aicina run\u0101t pa\u0161us m\u0101ksliniekus, jo neviena speci\u0101lista, kas par to var\u0113tu un grib\u0113tu publiski izteikties, neesot. Manupr\u0101t, pied\u0101v\u0101taj\u0101 form\u0101t\u0101 m\u0101kslinieku st\u0101sti nemaz neb\u016btu slikts risin\u0101jums. Nedaudz kutel\u012bga situ\u0101cija rad\u0101s br\u012bd\u012b kad kl\u0101t eso\u0161ie m\u0101kslinieki s\u0101ka izteikties par laikmet\u012bgo m\u0101kslu k\u0101 par nesaprotamu un velt\u012bt niev\u0101jo\u0161as piez\u012bmes konceptu\u0101lismam m\u0101ksl\u0101. Amizants br\u012bdis &#8211; m\u0101kslas zin\u0101tniec\u0113m j\u0101aizst\u0101v m\u0101ksla pa\u0161u m\u0101kslinieku priek\u0161\u0101. T\u0101ds k\u0101 paaud\u017eu konflikts, jo m\u0101kslas zin\u0101tnieces (Iliana un Andra) ir gados jaun\u0101kas par, piem\u0113ram, tobr\u012bd kl\u0101teso\u0161ajiem Latvijas M\u0101kslas akad\u0113mijas Met\u0101la Dizaina katedras vad\u012bt\u0101ju Arv\u012bdu Endzi\u0146a kungu un met\u0101la dizaineri Valteru Kir\u0161teinu. Par izst\u0101des dal\u012bbnieku sniegumu diskusiju nav, tas ir saprotams ka visi m\u0101kslinieki ir talant\u012bgi un vi\u0146u veikumi patie\u0161\u0101m augst\u0101 kvalit\u0101t\u0113 izpild\u012bti. Tom\u0113r gais\u0101 virmoja noska\u0146ojums \u2013 \u201dm\u0113s\u201d pret\u00a0 \u201dvi\u0146iem\u201d, kur \u201dm\u0113s\u201d bija met\u0101lm\u0101kslinieki un \u201dvi\u0146i\u201d \u2013 laikmet\u012bg\u0101s m\u0101kslas p\u0101rst\u0101vji. Iliana Veinberga neapmulsa un skaidroja, ka nepiekr\u012bt \u0161\u0101dam dal\u012bjumam, laikmet\u012bg\u0101 m\u0101ksla past\u0101v l\u012bdz\u0101s lieti\u0161\u0137\u0101s m\u0101kslas par\u0101d\u012bb\u0101m, k\u0101 vi\u0146a t\u0101s d\u0113v\u0113ja, un m\u0101ksl\u0101 ir pla\u0161s spektrs \u2013 no v\u0101rdu l\u012bmen\u012b izteiktas domas l\u012bdz takt\u012blam priek\u0161metam \u2013 \u00a0j\u0101respekt\u0113 abi gali.<\/p>\n<p>Es s\u0101ku saprast m\u0101kslas zin\u0101tniekus, kas atturas no publisk\u0101m diskusij\u0101m. T\u0101 vien \u0161\u0137iet, ka m\u0101kslas zin\u0101tniekiem tiek ier\u0101d\u012bta vieta bibliot\u0113k\u0101, starp plauktiem un citur lab\u0101k ner\u0101d\u012bties. M\u0101kslinieki str\u0101d\u0101, bet teor\u0113ti\u0137i klusi\u0146\u0101m visu pieraksta. M\u0101kslinieki nelasa, kas ticis pierakst\u012bts, t\u0101p\u0113c var san\u0101kt t\u0101 &#8211; pats nezini, ka esi laikmet\u012bgs m\u0101kslinieks.<\/p>\n<p>Iliana Veinberga v\u0113l pirms nosl\u0113dzo\u0161ajiem v\u0101rdiem jaut\u0101ja par m\u0101ksliniec\u0113m sieviet\u0113m, kuras str\u0101d\u0101 ar lielaj\u0101m form\u0101m met\u0101l\u0101. Nedaudz ir, bet nospiedo\u0161ais vair\u0101kums protams v\u012brie\u0161u k\u0101rtas p\u0101rst\u0101vji. Sarun\u0101 p\u0113c priek\u0161las\u012bjuma non\u0101c\u0101m pie secin\u0101juma, visp\u0101r ir maz m\u0101kslinieku, kas str\u0101d\u0101tu izteikti ar met\u0101lu lielform\u0101ta darbos. Tas skaidrojams ar v\u0113sturiski vairs neeso\u0161o lielo valsts pas\u016bt\u012bjumu met\u0101lm\u0101kslas jom\u0101. PSRS laikos m\u0101ksliniekiem bija daudz pas\u016bt\u012bjuma darbu kas saist\u012bti ar past\u0101vo\u0161o ideolo\u0123iju, lielform\u0101ta dekorat\u012bvi met\u0101la ci\u013c\u0146i, bet ne tikai. Ar\u012b lampas, lustras un citi dizaina objekti. \u0160\u0101di pas\u016bt\u012bjumi izmiru\u0161i dab\u012bg\u0101 n\u0101v\u0113. M\u0101ksliniekiem nav finansi\u0101li izdev\u012bgi uztur\u0113t liela izm\u0113ra darbn\u012bcas kur\u0101s var\u0113tu realiz\u0113t liela izm\u0113ra darbus.<\/p>\n<p>Koment\u0113jot izst\u0101di \u201cMet\u0101ls\u201d, ekspon\u0113\u0161anai tika izv\u0113l\u0113tas liel\u0101s formas praktisku apsv\u0113rumu d\u0113\u013c, galerijas telpas tiek apmekl\u0113tas da\u017e\u0101du publisku pas\u0101kumu laik\u0101 un rot\u0101m past\u0101v risks pazust.<\/p>\n<p><a href=\"#_ftnref1\" name=\"_ftn1\">[1]<\/a> http:\/\/www.lnmm.lv\/lv\/dmdm\/apmekle\/izstades\/3617-sinergija-laikmetigas-tendences-metalmaksla-un-dizaina<\/p>\n<p><a href=\"#_ftnref2\" name=\"_ftn2\">[2]<\/a> https:\/\/www.facebook.com\/events\/1886437388326044\/?active_tab=about<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kalnciema kvart\u0101la galerij\u0101, R\u012bg\u0101, no 2018. gada 6. augusta l\u012bdz 2. septembrim bija skat\u0101ma izst\u0101de \u201cMet\u0101ls\u201d, kas apvieno liel\u0101s formas darbus no nesen notiku\u0161\u0101s v\u0113rien\u012bg\u0101s met\u0101lm\u0101kslas izst\u0101des \u201cSiner\u0123ija\u201d [1]. 24. august\u0101 notika izst\u0101des \u201cMet\u0101ls\u201d ietvaros paredz\u0113tais publiskais priek\u0161las\u012bjums par met\u0101lm\u0101kslu Latvij\u0101. K\u0101 run\u0101t\u0101ju izst\u0101des kuratore Iliana Veinberga bija aicin\u0101jusi m\u0101kslas zin\u0101tnieci un kuratori \u00a0Andru Silap\u0113teri. &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/ginta.lv\/index.php\/2018\/09\/19\/vai-svarigi-nosaukt-lietas-varda\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Vai svar\u012bgi nosaukt lietas v\u0101rd\u0101?&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-303","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/posts\/303","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/comments?post=303"}],"version-history":[{"count":1,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/posts\/303\/revisions"}],"predecessor-version":[{"id":304,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/posts\/303\/revisions\/304"}],"wp:attachment":[{"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/media?parent=303"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/categories?post=303"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/tags?post=303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}