{"id":553,"date":"2020-01-02T13:11:42","date_gmt":"2020-01-02T11:11:42","guid":{"rendered":"http:\/\/ginta.lv\/?p=553"},"modified":"2020-01-02T13:11:42","modified_gmt":"2020-01-02T11:11:42","slug":"the-latvian-jeweller-generation-during-ussr-occupation-part-iii","status":"publish","type":"post","link":"https:\/\/ginta.lv\/index.php\/2020\/01\/02\/the-latvian-jeweller-generation-during-ussr-occupation-part-iii\/","title":{"rendered":"The Latvian jeweller generation during USSR occupation, part III"},"content":{"rendered":"<p>In the\u00a0<a href=\"http:\/\/ginta.lv\/index.php\/2019\/11\/24\/the-latvian-jeweller-generation-during-ussr-occupation\/\">previous article\u00a0<\/a>I wrote about jewellery artists\u00a0<strong>Inara Neilande<\/strong>\u00a0(b. 1936);\u00a0<strong>Livija Andrjukaitite<\/strong>\u00a0(1936-2000);\u00a0<strong>Mirdza Burve<\/strong>\u00a0(b. 1938);\u00a0<strong>Inara Jansone<\/strong>\u00a0(b. 1944)\u00a0 and\u00a0<strong>Juris Gagainis<\/strong>\u00a0(1944-2017). And in <a href=\"http:\/\/ginta.lv\/index.php\/2019\/12\/17\/the-latvian-jeweller-generation-during-ussr-occupation-part-ii\/\">part II<\/a> I wrote about\u00a0<strong>Pauls Spridzans<\/strong>\u00a0(Pauls Spridz\u0101ns b. 1945) and\u00a0<strong>Maija Sniedzite<\/strong>\u00a0(Maija Sniedz\u012bte 1945-1995).<\/p>\n<figure id=\"attachment_574\" aria-describedby=\"caption-attachment-574\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-574 size-full\" src=\"http:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/DSC4561.jpg\" alt=\"\" width=\"1024\" height=\"1535\" srcset=\"https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/DSC4561.jpg 1024w, https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/DSC4561-200x300.jpg 200w, https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/DSC4561-768x1151.jpg 768w, https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/DSC4561-683x1024.jpg 683w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><figcaption id=\"caption-attachment-574\" class=\"wp-caption-text\">Maris Aunins (b.1949); necklace; photo: marisaunins.lv<\/figcaption><\/figure>\n<p>In this article &#8211; part III &#8211; artists\u00a0<strong>Indulis Urbans<\/strong> (Indulis Urb\u0101ns b. 1947); <strong>Dzintra Preite<\/strong> (b. 1949); <strong>Maris Aunins<\/strong> (M\u0101ris Auni\u0146\u0161 b. 1949); and <strong>Gundars Pekelis<\/strong> (1949-1994) are mentioned. With these four artists I compile my breaf overview about artists that were born around mid30\u2019s to 40\u2019s in the 20th century Latvia (USSR).<\/p>\n<figure id=\"attachment_556\" aria-describedby=\"caption-attachment-556\" style=\"width: 525px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-556 size-large\" src=\"http:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/IMG_20191029_223803-702x1024.jpg\" alt=\"\" width=\"525\" height=\"766\" srcset=\"https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/IMG_20191029_223803-702x1024.jpg 702w, https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/IMG_20191029_223803-206x300.jpg 206w, https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/IMG_20191029_223803-768x1120.jpg 768w\" sizes=\"auto, (max-width: 525px) 100vw, 525px\" \/><figcaption id=\"caption-attachment-556\" class=\"wp-caption-text\">Indulis Urbans (b.1947); jewellery set; stone (maybe amber) in melchior; 1978; photo: \u201cLatvian Contemporary Applied Arts\u2019 album of reproductions, LIESMA Publishers, 1980<\/figcaption><\/figure>\n<p>Two photos of jewellery sets by<strong>\u00a0Indulis Urbans<\/strong> (Indulis Urb\u0101ns b. 1947)\u00a0executed in 1978 are published in the \u201cLatvian Contemporary Applied Arts\u201d album of reproductions issued by LIESMA Publishers in 1980. This publication gathers 18 jewellery artists in total and upper mentioned Livija Andrjukaitite, Gunars Pekelis (in the publication it says Gun\u0101rs, but most likely it is a misspell of Gundars name), Inara Neilande, Maija Sniedz\u012bte, Maris Aunins and Indulis Urbans are among them.<\/p>\n<figure id=\"attachment_555\" aria-describedby=\"caption-attachment-555\" style=\"width: 525px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-555 size-large\" src=\"http:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/IMG_20191029_223751-691x1024.jpg\" alt=\"\" width=\"525\" height=\"778\" srcset=\"https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/IMG_20191029_223751-691x1024.jpg 691w, https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/IMG_20191029_223751-202x300.jpg 202w, https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/IMG_20191029_223751-768x1139.jpg 768w\" sizes=\"auto, (max-width: 525px) 100vw, 525px\" \/><figcaption id=\"caption-attachment-555\" class=\"wp-caption-text\">Indulis Urbans (b.1947); jewellery set for prom; stone in melchior; 1978; photo: \u201cLatvian Contemporary Applied Arts\u2019 album of reproductions, LIESMA Publishers, 1980<\/figcaption><\/figure>\n<p>I. Urbans <a href=\"http:\/\/www.makslinieki.lv\/profile\/Indulis-Urb%C4%81ns\/\">CV and biography<\/a>\u00a0 as information about other artists such as\u00a0<span style=\"font-size: 1rem;\">P. Spridzans\u00a0<\/span><span style=\"font-size: 1rem;\">can be found in the\u00a0<\/span><a style=\"font-size: 1rem;\" href=\"http:\/\/artists.lv\/\">web page of the Council of the Creative Unions of Latvia<\/a><span style=\"font-size: 1rem;\">\u00a0(Latvijas Rado\u0161o savien\u012bbu padome). He graduated from Janis Rozentals Riga Art School (1959 \u2013 1963) and later Riga\u00a0Secondary School of Applied Arts, Department of Metal art (1963 \u2013 1968).\u00a0And he also (as majority of the mentioned artists) become a member of The Artist Union of Latvian (1975). In 1997 he established a creative workshop and opened a salon in Riga.<\/span><\/p>\n<figure id=\"attachment_561\" aria-describedby=\"caption-attachment-561\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-561 size-full\" src=\"http:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/51.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/51.jpg 800w, https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/51-300x200.jpg 300w, https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/51-768x512.jpg 768w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><figcaption id=\"caption-attachment-561\" class=\"wp-caption-text\">Indulis Urbans (b.1947); exhibition \u201cCrazy Urban Reflections on Life\u201d (\u201cDull\u0101 Urb\u0101na p\u0101rdomas par dz\u012bvi\u201d) 2019; photo: jurmala.lv Jurmala City Council<\/figcaption><\/figure>\n<p>I. Urbans works are mostly decorative objects in 2 and 3 dimentions;\u00a0 enamel graphics organized in compositions as collages. He made little jewellery during his life and his\u00a0most favorable medium was artistic enamel on metal. As I.Urbans celebrated his 70 anniversery in 2017 his solo show \u201cCrazy Urban Reflections on Life\u201d (\u201cDull\u0101 Urb\u0101na p\u0101rdomas par dz\u012bvi\u201d) was organized\u00a0<span style=\"font-size: 1rem;\">in Jurmala.<\/span><\/p>\n<figure id=\"attachment_559\" aria-describedby=\"caption-attachment-559\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-559 size-full\" src=\"http:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/19.jpg\" alt=\"\" width=\"800\" height=\"533\" srcset=\"https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/19.jpg 800w, https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/19-300x200.jpg 300w, https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/19-768x512.jpg 768w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><figcaption id=\"caption-attachment-559\" class=\"wp-caption-text\">Indulis Urbans (b.1947); exhibition \u201cCrazy Urban Reflections on Life\u201d (\u201cDull\u0101 Urb\u0101na p\u0101rdomas par dz\u012bvi\u201d) 2019; photo: jurmala.lv Jurmala City Council<\/figcaption><\/figure>\n<figure id=\"attachment_563\" aria-describedby=\"caption-attachment-563\" style=\"width: 299px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-563 size-full\" src=\"http:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/657_preite-e1576707583118.jpg\" alt=\"\" width=\"299\" height=\"400\" \/><figcaption id=\"caption-attachment-563\" class=\"wp-caption-text\">Dzintra Preite (b. 1949), pendant made in 1970, photo: <a href=\"http:\/\/lnmm.lv\/en\/mdad\/about_museum\/collections\/3-collection-of-latvian-decorative-art-and-design\/141-the-metal-art-collection\">Latvian National Museum of Art<\/a><\/figcaption><\/figure>\n<p><strong>Dzintra Preite<\/strong> (b. 1949) is one of the artists that represent the\u00a0collection\u00a0of Latvian Museum of Decorative Arts and Design\u00a0<a href=\"http:\/\/www.lnmm.lv\/en\/about\/collections\/3-collection-of-latvian-decorative-art-and-design\/141-the-metal-art-collection\">Metal Art Collection<\/a>. Unfortunately\u00a0very little information can be found about D.Preite. One amber pendant (1970) and a brass jewellery set &#8211; necklace and a bracelet (1969) can be found in the upper mentioned collection. From the information I could find, D.Preite\u00a0unlike other peers never become\u00a0<span style=\"font-size: 1rem;\">a member of The Artist Union of Latvia, but this information should be double checked.<\/span><\/p>\n<figure id=\"attachment_566\" aria-describedby=\"caption-attachment-566\" style=\"width: 806px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-566 size-full\" src=\"http:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/maris-aunins1.jpg\" alt=\"\" width=\"806\" height=\"541\" srcset=\"https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/maris-aunins1.jpg 806w, https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/maris-aunins1-300x201.jpg 300w, https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/maris-aunins1-768x515.jpg 768w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><figcaption id=\"caption-attachment-566\" class=\"wp-caption-text\">Maris Aunins (b. 1949); pendant; photo: unknown source<\/figcaption><\/figure>\n<p><strong>Maris Aunins<\/strong> (M\u0101ris Auni\u0146\u0161 b. 1949) is in fact the only active artist among the ones mentioned. He is highly recognized in Latvia as a jeweller, <a href=\"https:\/\/marisaunins.lv\/\">here is his web page<\/a> for further reading. Hes owns a worshop in Riga Old Town continuing a jewellery artist generation &#8211; his father Eizens Aunins (Ei\u017eens Auni\u0146\u0161 1911-1992) was a jeweller as well. He graduated the\u00a0Art Institute of Estonia\u00a0(now \u2013 Estonian Academy of Arts) in 1980, seven years after <a href=\"http:\/\/ginta.lv\/index.php\/2019\/11\/\">Juris Gagainis<\/a>. As a student he was older than others due to his service for the Soviet Army. He is also a member of The Artist Union of Latvian since 1982. M.Aunins personally cuts and polishes stones and it is the most characterizing feature in his jewellery. He is the only artist to represent Latvia in the prestige NewYork museum jewellery expo <a href=\"https:\/\/madmuseum.org\/loot\/artist\/m%C4%81ris-auni%C5%86%C5%A1\">LOOT<\/a> in 2015 with the help of the grant from the State Culture Capital Foundation. Read more about LOOT <a href=\"https:\/\/www.madmuseum.org\/loot\/about-loot\">here<\/a>. M.Aunins is also one of the artists represented in the only contemporary jewellery gallery in the Baltics &#8211; art gallery <a href=\"https:\/\/putti.lv\/\">Putti<\/a>.\u00a0Although the gallery has started to work with foreign artists for several years, the specificity used to be Latvian contemporary jewellery artists and M.Aunins was one of the most widely represented artists.<\/p>\n<figure id=\"attachment_587\" aria-describedby=\"caption-attachment-587\" style=\"width: 3000px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-587 size-full\" src=\"http:\/\/ginta.lv\/wp-content\/uploads\/2020\/01\/IMG_20191029_223743a.jpg\" alt=\"\" width=\"3000\" height=\"3006\" srcset=\"https:\/\/ginta.lv\/wp-content\/uploads\/2020\/01\/IMG_20191029_223743a.jpg 3000w, https:\/\/ginta.lv\/wp-content\/uploads\/2020\/01\/IMG_20191029_223743a-150x150.jpg 150w, https:\/\/ginta.lv\/wp-content\/uploads\/2020\/01\/IMG_20191029_223743a-300x300.jpg 300w, https:\/\/ginta.lv\/wp-content\/uploads\/2020\/01\/IMG_20191029_223743a-768x770.jpg 768w, https:\/\/ginta.lv\/wp-content\/uploads\/2020\/01\/IMG_20191029_223743a-1022x1024.jpg 1022w, https:\/\/ginta.lv\/wp-content\/uploads\/2020\/01\/IMG_20191029_223743a-100x100.jpg 100w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><figcaption id=\"caption-attachment-587\" class=\"wp-caption-text\">Maris Aunins (b.1949); necklaces; melchior, marion, nephritis; 1978; photo: \u201cLatvian Contemporary Applied Arts\u2019 album of reproductions, LIESMA Publishers, 1980<\/figcaption><\/figure>\n<figure id=\"attachment_567\" aria-describedby=\"caption-attachment-567\" style=\"width: 525px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-567 size-large\" src=\"http:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/2016-04-2305-07-296-684x1024.jpg\" alt=\"\" width=\"525\" height=\"786\" srcset=\"https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/2016-04-2305-07-296-684x1024.jpg 684w, https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/2016-04-2305-07-296-200x300.jpg 200w, https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/2016-04-2305-07-296-768x1150.jpg 768w, https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/2016-04-2305-07-296.jpg 1880w\" sizes=\"auto, (max-width: 525px) 100vw, 525px\" \/><figcaption id=\"caption-attachment-567\" class=\"wp-caption-text\">Maris Aunins (b. 1949) in his workshop in 2016<\/figcaption><\/figure>\n<p>In 2016 I visited M.Aunins studio and the artist kindly answered my questions and showed my his work. Answering to what is jewellery for him &#8211; it is a way of living, lifestyle, hobby and a thing to do for a living&#8230; In other words &#8211; everything.<\/p>\n<figure id=\"attachment_570\" aria-describedby=\"caption-attachment-570\" style=\"width: 525px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-570 size-large\" src=\"http:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/Maris-Aunins-Putti-2016-08-1024x683.png\" alt=\"\" width=\"525\" height=\"350\" srcset=\"https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/Maris-Aunins-Putti-2016-08-1024x683.png 1024w, https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/Maris-Aunins-Putti-2016-08-300x200.png 300w, https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/Maris-Aunins-Putti-2016-08-768x512.png 768w, https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/Maris-Aunins-Putti-2016-08.png 1200w\" sizes=\"auto, (max-width: 525px) 100vw, 525px\" \/><figcaption id=\"caption-attachment-570\" class=\"wp-caption-text\">Maris Aunins (b. 1949); ring; photo: <a href=\"https:\/\/www.fold.lv\/en\/2016\/12\/contemporary-jewellery-exhibition-at-gallery-putti\/maris-aunins-putti-2016-08-3\/\">fold.lv<\/a><\/figcaption><\/figure>\n<p>There are several interviews with Maris Aunins &#8211; <a href=\"http:\/\/www.arterritory.com\/lv\/zinas\/4915-maris_aunins_rotu_makslas_izstade_loot_2015_nujorka\/\">arterritory.com<\/a>;\u00a0<a href=\"https:\/\/klasika.lsm.lv\/lv\/raksts\/mana-muzika\/rotu-makslinieks-maris-aunins-pamostos-kopa-ar-latvijas-radio-3-.a98890\/\">LR3;<\/a>\u00a0and printed magazines. Some great photos from M.Aunins studio are<a href=\"http:\/\/www.arterritory.com\/lv\/blogi_video\/actina\/7203-arterritory_fotostasti_par_maksliniekiem._maris_aunins\/\"> in this article by arterritory.com.<\/a><\/p>\n<p>In Latvia the currency before and after USSR ocupation was latvian lats. In 1929 the Ministry of Finance of Latvia decided to issue a 5 lats coin in silver and it become a popular symbol of independence during the\u00a0Soviet occupation. As M.Aunins explained, the silver coin become a symbol but also it was a success for jewellery artists that couldn&#8217;t get silver and were not allowed to work with it. It was an opportunity to use silver but it had to be kept in secret and in catalogues the metal name could not appear. That is why in all articles the depicted material is often metal without precizing which kind.<\/p>\n<figure id=\"attachment_579\" aria-describedby=\"caption-attachment-579\" style=\"width: 960px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-579 size-full\" src=\"http:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/69244481_10157758104976661_6064884157169795072_o.jpg\" alt=\"\" width=\"960\" height=\"639\" srcset=\"https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/69244481_10157758104976661_6064884157169795072_o.jpg 960w, https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/69244481_10157758104976661_6064884157169795072_o-300x200.jpg 300w, https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/69244481_10157758104976661_6064884157169795072_o-768x511.jpg 768w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><figcaption id=\"caption-attachment-579\" class=\"wp-caption-text\">Gundars Pekelis (1949-1994) head ornament &#8220;Miss Latvia &#8211; 1940&#8221; made in 1991 photo: \u00a0Andrejs Strokins; The Museum of Decorative Arts and Design, from the exhibition <a href=\"http:\/\/www.lnmm.lv\/en\/mdad\/visit\/exhibitions\/6567-exposing-the-hidden?fbclid=IwAR1-uzus6xPMChBzhyNdYQ_4YxPLwbiGA5JquU1-0gFuvq46W31--x7XDMs\">EXPOSING THE HIDDEN<\/a><\/figcaption><\/figure>\n<p><strong>Gundars Pekelis<\/strong> (1949-1994) was a very talented and\u00a0skillful jewellery artist. His contemporaries say he lived a\u00a0bohemian lifestyle and had an\u00a0appealing character.<\/p>\n<p>The set of jewelery\u00a0&#8220;Miss Latvia &#8211; 1940&#8221; created by Gundars Pekelis in 1991 is symbolically associated with the image of Latvian state. It is not a beautiful diadem with diamonds received by the beauty queen of Latvia in 1940, but a thorn crown of barbed wire as a sign of Soviet occupation.<\/p>\n<p>This work and also several brooches by G.Pekelis titled &#8220;<em>Ethnography<\/em>&#8221; (&#8220;<em>Etnogr\u0101fija<\/em>&#8220;) and &#8220;<em>Stands<\/em>&#8221; I-III (&#8220;<em>Stat\u0146i<\/em>&#8221; I-III) made in 1994 using silver, enamel among other materials are part of The Museum of Decorative Arts and Design jewellery collection executed in the period from year 1991 to 2004. Gundars Pekelis, Juris Gagainis and Indulis Urbans organized an exhibition (possibly in 1982 in Budapest) titled &#8220;GPU&#8221; that officially was supposed to stand for the first letters of their surnames but unofficially it made a reference to <em>\u0433\u043b\u0430\u0432\u043d\u044b\u0439 \u043f\u043e\u043b\u0438\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0439 \u043f\u0440\u0435\u0432\u043d\u043e\u0439<\/em> (from Russian &#8211; main political dispute).<\/p>\n<figure id=\"attachment_578\" aria-describedby=\"caption-attachment-578\" style=\"width: 960px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-578 size-full\" src=\"http:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/64959799_10157582739211661_5757873744458547200_o.jpg\" alt=\"\" width=\"960\" height=\"720\" srcset=\"https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/64959799_10157582739211661_5757873744458547200_o.jpg 960w, https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/64959799_10157582739211661_5757873744458547200_o-300x225.jpg 300w, https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/64959799_10157582739211661_5757873744458547200_o-768x576.jpg 768w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><figcaption id=\"caption-attachment-578\" class=\"wp-caption-text\">Gundars Pekelis (1949-1994); decorative composition (group of brooches) Mother Latvia (M\u0101te Latvija); 1994; photo: lnmm.lv<\/figcaption><\/figure>\n<figure id=\"attachment_582\" aria-describedby=\"caption-attachment-582\" style=\"width: 533px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-582 size-full\" src=\"http:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/pekelis1994.jpg\" alt=\"\" width=\"533\" height=\"400\" srcset=\"https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/pekelis1994.jpg 533w, https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/pekelis1994-300x225.jpg 300w\" sizes=\"auto, (max-width: 533px) 100vw, 533px\" \/><figcaption id=\"caption-attachment-582\" class=\"wp-caption-text\">Gundars Pekelis (1949-1994); brooch collection Ethnography (Etnogr\u0101fija); 1994; photo: lnmm.lv<\/figcaption><\/figure>\n<figure id=\"attachment_583\" aria-describedby=\"caption-attachment-583\" style=\"width: 960px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-583 size-full\" src=\"http:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/Gundars-Pekelis.-Jumis.-Dekors.-1983..jpg\" alt=\"\" width=\"960\" height=\"867\" srcset=\"https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/Gundars-Pekelis.-Jumis.-Dekors.-1983..jpg 960w, https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/Gundars-Pekelis.-Jumis.-Dekors.-1983.-300x271.jpg 300w, https:\/\/ginta.lv\/wp-content\/uploads\/2019\/12\/Gundars-Pekelis.-Jumis.-Dekors.-1983.-768x694.jpg 768w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><figcaption id=\"caption-attachment-583\" class=\"wp-caption-text\">Gundars Pekelis (1949-1994); brooch Jumis (a ruin deity in Latvian mythology, which is symbolized by two fruit that came together, responsible for productivity); 1983; photo: lnmm.lv<\/figcaption><\/figure>\n<p>There are several jewellery artists as Andris Smilga (b.1943), Vilma Zarina (b.1947) and Laimdota Ence (b. 1949) whos works are present in <a href=\"http:\/\/lnmm.lv\/en\/mdad\/about_museum\/collections\/3-collection-of-latvian-decorative-art-and-design\/141-the-metal-art-collection\">The Museum of Decorative Arts and Design Metal Art Collection<\/a>. Further research will reveal more information.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the\u00a0previous article\u00a0I wrote about jewellery artists\u00a0Inara Neilande\u00a0(b. 1936);\u00a0Livija Andrjukaitite\u00a0(1936-2000);\u00a0Mirdza Burve\u00a0(b. 1938);\u00a0Inara Jansone\u00a0(b. 1944)\u00a0 and\u00a0Juris Gagainis\u00a0(1944-2017). And in part II I wrote about\u00a0Pauls Spridzans\u00a0(Pauls Spridz\u0101ns b. 1945) and\u00a0Maija Sniedzite\u00a0(Maija Sniedz\u012bte 1945-1995). In this article &#8211; part III &#8211; artists\u00a0Indulis Urbans (Indulis Urb\u0101ns b. 1947); Dzintra Preite (b. 1949); Maris Aunins (M\u0101ris Auni\u0146\u0161 b. 1949); and &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/ginta.lv\/index.php\/2020\/01\/02\/the-latvian-jeweller-generation-during-ussr-occupation-part-iii\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The Latvian jeweller generation during USSR occupation, part III&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-553","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/posts\/553","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/comments?post=553"}],"version-history":[{"count":25,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/posts\/553\/revisions"}],"predecessor-version":[{"id":593,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/posts\/553\/revisions\/593"}],"wp:attachment":[{"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/media?parent=553"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/categories?post=553"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/tags?post=553"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}