{"id":646,"date":"2020-03-11T12:31:53","date_gmt":"2020-03-11T10:31:53","guid":{"rendered":"http:\/\/ginta.lv\/?p=646"},"modified":"2020-10-21T11:42:02","modified_gmt":"2020-10-21T09:42:02","slug":"rotu-makslas-biedribas-izstade-zime","status":"publish","type":"post","link":"https:\/\/ginta.lv\/index.php\/2020\/03\/11\/rotu-makslas-biedribas-izstade-zime\/","title":{"rendered":"Rotu m\u0101kslas biedr\u012bbas izst\u0101de Z\u012aME"},"content":{"rendered":"

Anal\u012btiska rakstveida apcere bez pretenzij\u0101m uz objekt\u012bvu viedokli, jo teksta autors ir ar\u012b viens no izst\u0101des dal\u012bbniekiem.<\/p>\n

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Anna Fanigina, PRIMUS, SECUNDUS, TERTIUS, 2020, materi\u0101li: sudrabs, organiskais stikls, citr\u012bns, akvamar\u012bns, kvarcs, izm\u0113ri: 4,5 x 4,5 cm foto: autora \u012bpa\u0161ums<\/figcaption><\/figure>\n

Rotu m\u0101kslas biedr\u012bbas izst\u0101de Z\u012aME\/MARK tika atkl\u0101ta 7.febru\u0101r\u012b, Daugavpils Marka Rotko m\u0101kslas centr\u0101, Mihaila iel\u0101 3. Izst\u0101de apskat\u0101ma l\u012bdz \u0161.g. 12. apr\u012blim un taj\u0101 piedal\u0101s 20 rotu m\u0101kslinieki – Andris Lauders, Anita Savicka, Anna Fanigina, Darja Semjonova, Ginta Gr\u016bbe, Gints Str\u0113lis, Guntis Lauders, Ilze Egle, J\u0101nis Brants, J\u0101nis Vilks, Jelizaveta Suska, Laura Selecka, Maija V\u012btola-Zitmane, M\u0101ris \u0160usti\u0146\u0161, Paula Treimane, Rasma Pu\u0161pure, Una Mikuda, Valdis Bro\u017ee, Vladislavs \u010cistjakovs un Zane Vilka. Izst\u0101des vienojo\u0161ais rotas veids, piespraude, iem\u012b\u013cots rotu m\u0101kslinieku vid\u016b, jo at\u0161\u0137iras no cit\u0101m rot\u0101m ar savu br\u012bvi interpret\u0113jamo novietojumu attiec\u012bb\u0101 pret cilv\u0113ka \u0137ermeni. Par sp\u012bti tam, piespraudi tradicion\u0101li valk\u0101 pie kr\u016bt\u012bm, piestiprin\u0101tu pie ap\u0123\u0113rba, bet tai maz\u0101k b\u016btisks ir noteikts izm\u0113rs vai materi\u0101ls (k\u0101 gredzenam vai auskariem). \u201ePiespraude rotu m\u0101ksl\u0101 tradicion\u0101li tiek sal\u012bdzin\u0101ta ar miniat\u016bru st\u0101jm\u0101kslas darbu vai gleznu,\u201d skaidro izst\u0101des idejas autore Zane Vilka. Piespraudes un ar\u012b citu rotu veidu blakus nostat\u012bjums st\u0101jm\u0101kslai rakstur\u012bgs 20.gs otr\u0101s puses un 21.gs rotu m\u0101kslai. Visi autori, ar atsevi\u0161\u0137iem iz\u0146\u0113mumiem, p\u0113c saviem ieskatiem un iesp\u0113j\u0101m interpret\u0113ju\u0161i avangarda gleznot\u0101ja Marka Rotko dai\u013cradi, Daugavpils pils\u0113tu un\/vai cietok\u0161\u0146a arhitekt\u016bru.<\/p>\n

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Izst\u0101des atkl\u0101\u0161an\u0101, no kreis\u0101s: Paula Treimane, Gints Str\u0113lis, Andris Lauders, J\u0101nis Brants, Ginta Gr\u016bbe, Darja Semjonova, Rasma Pu\u0161pure, Laura Selecka, M\u0101ris \u0160usti\u0146\u0161, Zane Vilka, foto: Daugavpils Marka Rotko centrs<\/figcaption><\/figure>\n

Izst\u0101des nosaukums skaidrojams gan, k\u0101 piespraudes uztveres veids, gan gleznot\u0101ja Marka Rotko v\u0101rds ang\u013cu valod\u0101. Nosaukuma izv\u0113le veiksm\u012bgi apvieno zem viena jumta ideju par piespraudi, k\u0101 velt\u012bjumu Markam Rotko, bet ne tikai to.<\/p>\n

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Rasma Puspure, Realm of the Canvas\/Audekla valst\u012bba, 2020, sudrabs, t\u0113rauds, izm\u0113ri 35 x 42 x 4 mm; 35 x 42 x 4 mm,\u00a0foto: autora \u012bpa\u0161ums<\/figcaption><\/figure>\n

Izst\u0101de iek\u0101rtota vien\u0101 no main\u012bgo izst\u0101\u017eu ekspoz\u012bcijas telp\u0101m Artil\u0113rijas arsen\u0101la \u0113kas pirmaj\u0101 st\u0101v\u0101. Nelielaj\u0101 telpas centr\u0101 simetriski izk\u0101rtotas devi\u0146as kvadr\u0101tveida vitr\u012bnas. Divas, br\u012bvi st\u0101vo\u0161as, pie ieejas telp\u0101 un pie dzi\u013c\u0101k\u0101s sienas. Telpas centr\u0101 \u2013 konstrukcija no septi\u0146\u0101m vitr\u012bn\u0101m, kas nedaudz atg\u0101dina \u016asi\u0146a z\u012bmi, sp\u0113c\u012bgu aizsardz\u012bbas z\u012bmi, kas atrodama senajos latvju rakstos. Aptauj\u0101jot izst\u0101des atkl\u0101\u0161anas viesus, sask\u0101ros ar viedokli, ka vitr\u012bnu izvietojums nav \u012bsti veiksm\u012bgs, jo rotas, kas atrodas centr\u0101, nevar apskat\u012bt no vis\u0101m pus\u0113m. Es nevar\u0113tu pievienoties kritikai, glu\u017ei pret\u0113ji, izk\u0101rtojums \u0161\u0137ita \u013coti atbilsto\u0161s. Tradicion\u0101l\u0101 rotu izst\u0101des ekspoz\u012bcij\u0101 priek\u0161metus var apskat\u012bt tikai no vienas puses, jo tie ekspon\u0113ti vitr\u012bn\u0101s pie sien\u0101m, bie\u017ei uz horizont\u0101las vai viegli iesl\u012bpas virsmas. \u0160aj\u0101 izk\u0101rtojum\u0101 patie\u0161\u0101m bija iesp\u0113jams rotas apskat\u012bt no vis\u0101m pus\u0113m, tikai pret da\u017e\u0101m vitr\u012bnu iek\u0161\u0113j\u0101m mal\u0101m nevar\u0113ja burtiski atspiest degunu. \u016asi\u0146\u0161, visa starp\u0101, ar\u012b veicinot komunik\u0101ciju – visticam\u0101k neapzin\u0101ti, bet ekspoz\u012bcijai der\u012bga z\u012bme.<\/p>\n

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Izst\u0101des Z\u012aME iek\u0101rtojums, foto: Daugavpils Marka Rotko centrs<\/figcaption><\/figure>\n

Viena no probl\u0113m\u0101m neliel\u0101s ekspoz\u012bcij\u0101s, kur\u0101s j\u0101r\u0101da da\u017e\u0101du autoru darbi, ir saprotams anot\u0101ciju izvietojums. \u0160aj\u0101 izst\u0101d\u0113 izv\u0113l\u0113taj\u0101 risin\u0101jum\u0101 tika dota priek\u0161roka vizu\u0101lajai est\u0113tikai, atst\u0101jot nov\u0101rt\u0101 saprotamu un \u0101tri uztveramu inform\u0101cijas izvietojumu.<\/p>\n

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Ginta Gr\u016bbe, Sare\u017e\u0123\u012btas domas vienk\u0101r\u0161a izteiksme, 2020, alum\u012bnijs, organiskais stikls, izm\u0113rs: 7,5 x 7,5 x 0,6 cm, foto: autora \u012bpa\u0161ums<\/figcaption><\/figure>\n

Piev\u0113r\u0161oties izst\u0101des darbiem, var\u0113tu tos iedal\u012bt tr\u012bs da\u013c\u0101s. Pirmo da\u013cu veido grupa ar m\u0101ksliniekiem, kas burtiski iedvesmoju\u0161ies no Marka Rotko dai\u013crades un atspogu\u013co to sava darba vizu\u0101laj\u0101 valod\u0101 un\/vai darba nosaukum\u0101. \u0160aj\u0101 grup\u0101 varu ierindot ar\u012b pati sevi ar div\u0101m piespraud\u0113m, kuras t\u0113laini nosaucu ”Sare\u017e\u0123\u012btas domas vienk\u0101r\u0161a izteiksme”. \u0160is cit\u0101ts, kas attiecin\u0101ts uz Rotko dai\u013cradi, ies\u0113d\u0101s man\u0101 pr\u0101t\u0101 un k\u013cuva par manu piesprau\u017eu j\u0113dzienisko iet\u0113rpu. \u0160aj\u0101 grup\u0101 iederas Annas Faniginas un Rasmas Pu\u0161pures rotu grupas, kas kop\u012bgi izvietotas pa\u0161\u0101 pirmaj\u0101 vitr\u012bn\u0101, pie ieejas telp\u0101. Anna Fanigina, iev\u0113rojot sava z\u012bmola VERBA pamatprincipus, nosaukusi piespraudes p\u0113c lat\u012b\u0146u k\u0101rtas numuriem \u2013 PRIMUS, SECUNDUS un TERTIUS. Vi\u0146a atradusi saskarsmes punktus ar Marka Rotko dai\u013cradi ant\u012bkaj\u0101 m\u0101ksl\u0101. Abi iedvesmoju\u0161ies no fresk\u0101m Sen\u0101s Romas pils\u0113t\u0101 Pompejos. A.Fanigina k\u0101 piem\u0113ru min Villa dei Misteri,<\/em> kas iek\u013cauta UNESCO pasaules noz\u012bmes kult\u016bras mantojuma sarakst\u0101. Vair\u0101k par A.Faniginas rotu kolekciju iesp\u0113jams las\u012bt Rotu m\u0101kslas biedr\u012bbas Facebook<\/em> ierakst\u0101, kur las\u012bt\u0101ji tiek tuv\u0101k iepaz\u012bstin\u0101ti ar izst\u0101des dal\u012bbniekiem.<\/p>\n

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Izst\u0101des Z\u012aME\/MARK atkl\u0101\u0161an\u0101, foto: Ginta Gr\u016bbe<\/figcaption><\/figure>\n

Rasma Pu\u0161pure rad\u012bjusi divus rotu p\u0101r\u012b\u0161us – \u201cAudekla valst\u012bba\u201d un \u201cKlusums ir tik prec\u012bzs\u201d. Vi\u0146as rokraksts rot\u0101s v\u0113rojams, gan p\u0101rdom\u0101taj\u0101s proporcij\u0101s un emocion\u0101li pies\u0101tin\u0101taj\u0101s deta\u013c\u0101s, gan burtiski – ar roku rakst\u012bt\u0101 kaligr\u0101fisk\u0101 tekst\u0101. Paula Treimane skat\u012bt\u0101jiem pied\u0101v\u0101 \u010detras piespraudes, kuru pamata forma, l\u012bdz\u012bgi k\u0101 iepriek\u0161 min\u0113taj\u0101m rot\u0101m, iez\u012bm\u0113 audekla apveidus. Vi\u0146as rotas nosauktas ar k\u0101rtas numuriem, k\u0101 ar\u012b formu un materi\u0101lu raksturojo\u0161u nosaukuma papildin\u0101jumu. Sav\u0101 Facebook<\/em> vietn\u0113, l\u012bdz\u0101s rotu fotogr\u0101fij\u0101m Paula Treimane atkl\u0101j Rotko cit\u0101tus, kas idejiski bag\u0101tina un skaidro skat\u012bt\u0101jam m\u0101kslinieces domas virz\u012bbu. Pie darba ar nosaukumu \u201cNr.1 (Silver pillow)\u201d (Sudraba spilvens) atrodams cit\u0101ts: \u201eThe most interesting painting is one that expresses more of what one thinks than of what one sees\u201d. Piespraudi \u201cNr. 2 (Black frame)\u201d (Melnais r\u0101mis) papildina ar\u012b Rasmas Pu\u0161pures izv\u0113l\u0113tais cit\u0101ts: \u201eSilence is so accurate\u201d. Savuk\u0101rt \u201cNr.3 (Mother of pearl in a rectangle)\u201d (Perlamutrs taisnst\u016br\u012b) pievienots domu grauds, kas l\u012bdzv\u0113rt\u012bgs popularit\u0101ti iemantoju\u0161ajam sauklim \u2013 vair\u0101k ir maz\u0101k: \u201eThere is more power in telling little than in telling all.\u201d P\u0113d\u0113j\u0101 piespraude \u201cNr.4 (A drop in a rectangle)\u201d (Piliens taisnst\u016br\u012b) papildin\u0101ta ar cit\u0101tu, ko Rotko velt\u012bjis k\u0101dam pas\u016bt\u012bjuma darbam restor\u0101n\u0101: \u201eI hope to paint something that will ruin the appetite of every son of a bitch who ever eats in that room.\u201d<\/p>\n

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Paula Treimane, Nr.1 (Sudraba spilvens), sudrabs, 2 x 6,5 x 1 cm; Nr.2 (Melns r\u0101mis), oksid\u0113ts sudrabs, 2 x 6,5 x 1 cm; Nr.3 (Perlamutrs taisnst\u016br\u012b), sudrabs, perlamutrs, 2 x 4 x 1 cm; Nr.4 (L\u0101se taisnst\u016br\u012b), sudrabs, melnkoks, apzelt\u012bjums, 3 x 4,5 x 1 cm, 2020,\u00a0foto: autora \u012bpa\u0161ums<\/figcaption><\/figure>\n

M\u0101ris \u0160usti\u0146\u0161 izv\u0113l\u0113jies ilustrat\u012bvu pieeju un divas piespraudes veidojis, k\u0101 abas gleznas puses, apgleznoto virsmu un audekla kreiso pusi. Mekl\u0113jot savai dai\u013cradei maz\u0101k rakstur\u012bgu kompoz\u012bcijas risin\u0101jumu, autors palicis uztic\u012bgs saviem iecien\u012btajiem materi\u0101liem \u2013 tit\u0101nam, zeltam, top\u0101ziem un briljantiem. Laura Selecka tr\u012bs apa\u013co piesprau\u017eu grupu \u201cSl\u0101\u0146i\u201d audz\u0113jusi vair\u0101k\u0101s k\u0101rt\u0101s l\u012bdz\u012bgi, k\u0101 Rotko kl\u0101jis kr\u0101sas sl\u0101\u0146us glezn\u0101s. Guntis Lauders, vien\u012bgais no \u0161\u012bs grupas, piev\u0113rsies Rotko agr\u012bnajai dai\u013cradei. Rotas “Hierarhiskie putni” velt\u012btas Rotko gleznai “Hierarchical Birds”(1942). Hierarhiskie putni ir nor\u0101de uz Rotko interesi par klasisko literat\u016bru. Raksturojot citu gleznu, par kuras iedvesmu ar\u012b kalpojis sengrie\u0137u dramaturgs Aishils, Rotko skaidro: \u201eAtt\u0113l\u0101 apskat\u012bts nevis konkr\u0113ts t\u0113lojums, bet gan M\u012bta gars, kas piemitis m\u012btiem visos laikos.\u201d Ar\u012b m\u0101kslinieks J\u0101nis Vilks nosac\u012bti ierakst\u0101s manis izdal\u012btaj\u0101 pirmaj\u0101 grup\u0101, jo divas, no vi\u0146a sudraba miniat\u016br\u0101m bez nosaukuma atg\u0101dina gleznas siluetu un ietvertas sudraba r\u0101mjos. Visas tr\u012bs piespraudes vizu\u0101li atg\u0101dina kadr\u0113jumus interjer\u0101, v\u0113r\u0161ot uzman\u012bbu sadz\u012bvisk\u0101m deta\u013c\u0101m – elektr\u012bbas vads, caurule un grafiski l\u012bniju ritmi. J\u0101\u0146a Vilka darbiem piem\u012bt 20.gs beigu un 21.gs s\u0101kuma rotu m\u0101kslai rakstur\u012bg\u0101 est\u0113tika. Vi\u0146\u0161 demonstr\u0113 sudraba spilgti balto toni, pretstat\u0101 melnajam oks\u012bdam, k\u0101 ar\u012b izmanto akcentus zelt\u0101. V\u0113l k\u0101da raksturojo\u0161a tendence – pl\u0101na lok\u0161\u0146u materi\u0101la izmantojums, vizu\u0101li (t\u012b\u0161i vai net\u012b\u0161i) atdarina pap\u012bru. \u0160\u0101di str\u0101d\u0101t ar sudrabu ir pa sp\u0113kam tikai augstas raudzes rotu m\u0101ksliniekiem, k\u0101ds nenoliedzami ir J\u0101nis Vilks. Gints Str\u0113lis, vis nesen\u0101k uz\u0146emtais biedrs Rotu m\u0101kslas biedr\u012bb\u0101, ar\u012b izv\u0113l\u0113j\u0101s str\u0101d\u0101t ar audekla siluetu atdarino\u0161\u0101m form\u0101m sav\u0101 triptih\u0101 \u201cSkatiens\u201d. Vi\u0146\u0161 ir Gunta Laudera studiju biedrs k\u0101dreiz\u0113j\u0101 Igaunijas M\u0101kslas instit\u016bt\u0101, kuru abi absolv\u0113ju\u0161i pag\u0101ju\u0161\u0101 gadsimta 90.gadu s\u0101kum\u0101 un kop\u0161 t\u0101 laika paliku\u0161i uztic\u012bgi skol\u0101 izstr\u0101d\u0101tajam rokrakstam. B\u016bdami at\u0161\u0137ir\u012bgi, abi m\u0101kslinieki vien\u0101di lielu noz\u012bmi rot\u0101s velta m\u012btisko t\u0113lu atveidiem. Ginta Str\u0113\u013ca triptih\u0101 iesl\u0113ptas ne tikai acis, bet ar\u012b sen\u0101s latvju z\u012bmes. J\u0101nis Brants nosl\u0113dz pirmo un liel\u0101ko izst\u0101des Z\u012aME m\u0101kslinieku grupu \u2013 Rotko dai\u013crades iedvesmotos. J\u0101\u0146a Branta veidot\u0101s rotas visret\u0101k atrodamas piespraudes form\u0101t\u0101, tom\u0113r tie\u0161i vi\u0146\u0161 bija iniciators idejai izst\u0101d\u0113 par vienojo\u0161o mot\u012bvu izv\u0113l\u0113ties, vi\u0146a pa\u0161a v\u0101rdiem \u2013 bro\u0161as. J\u0101nis Brants ir ar\u012b viens no m\u0101ksliniekiem, l\u012bdz\u012bgi k\u0101 M\u0101ris Auni\u0146\u0161 un Zane Vilka, kas par rotas centr\u0101lo fig\u016bru joproj\u0101m izmanto d\u0101rgakme\u0146us.<\/p>\n

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Izst\u0101des Z\u012aME\/MARK atkl\u0101\u0161an\u0101, foto: Ginta Gr\u016bbe<\/figcaption><\/figure>\n

Idejai par d\u0101rgakme\u0146iem, k\u0101 rotas centr\u0101lo objektu ir \u013coti sena v\u0113sture. No m\u016bsu \u0113ras s\u0101kuma l\u012bdz pat 19.gs beig\u0101m amatnieki un meistari rotas b\u016bv\u0113ja apk\u0101rt d\u0101rgakme\u0146iem, ja vien t\u0101di bija pieejami, un ietvaram bija tikai funkcion\u0101la noz\u012bme. Savuk\u0101rt ietvara grezn\u012bba liecin\u0101ja par \u012bpa\u0161nieka roc\u012bbu. Tikai 20.gs vid\u016b aktualiz\u0113j\u0101s pret-kust\u012bba rot\u0101m, k\u0101 statusa simbolam. Gan m\u0101kslinieku protests pret nevienl\u012bdz\u012bbu, gan d\u0101rgakme\u0146u un zelta cenu straujais k\u0101pums un jaunu m\u0101kslinieku piepl\u016bdums (pateicoties studiju pieejam\u012bbai) kalpoja par iemesliem savdab\u012bg\u0101 mekl\u0113jumiem rotu m\u0101ksl\u0101. \u0160eit es paveru nelielu lappusi daudz pla\u0161\u0101k\u0101 t\u0113m\u0101, kuru es t\u016bl\u012bt ar\u012b veru ciet.<\/p>\n

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J\u0101nis Vilks, Bez nosaukuma, 2020. sudrabs, izm\u0113rs: 9×5 cm,\u00a0foto: autora \u012bpa\u0161ums<\/figcaption><\/figure>\n
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Andris Lauders, Cietoksnis 2,sudrabs 925, zelts 999, onikss, izm\u0113rs: 12\u00d73,5 cm, 2020, foto: autora \u012bpa\u0161ums<\/figcaption><\/figure>\n

Tr\u012bs m\u0101kslinieki \u2013 Andris Lauders, Anita Savicka un Zane Vilka man\u0101 iedom\u0101taj\u0101 izst\u0101des Z\u012aME dal\u012bbnieku sadal\u012bjum\u0101 veido otro grupu. \u0160ie m\u0101kslinieki savus darbus veidoju\u0161i iedvesmu mekl\u0113jot zvaigznes formas cietok\u0161\u0146a arhitekt\u016br\u0101. Andris Lauders, vec\u0101kais no br\u0101\u013ciem Lauderiem, ar\u012b pieder\u012bgs Igaunijas skolai. Vi\u0146a darbiem rakstur\u012bgi formu mekl\u0113jumi zelta griezuma proporcij\u0101s, kas sak\u0146ojas \u0123eometrij\u0101. Arku veida mot\u012bvu savos darbus vi\u0146\u0161 izmanto bie\u017ei, ar\u012b \u0161oreiz tie lieliski atbilst izv\u0113l\u0113tajai t\u0113mai pie\u0161\u0137irot monol\u012btajai formai smalku deta\u013cu. Cietoksnis ir ne tikai Andra Laudera darba iedvesmas avots bet ar\u012b nosaukums. Anita Savicka savu sudrab\u0101 veidoto piespraudi nosaukusi par \u201cZvaigznes z\u012bmi\u201d, kas ar\u012b \u013coti prec\u012bzi atspogu\u013co darbu. Zane Vilka rad\u012bjusi tr\u012bs piespraudes \u2013 balto, melno un zelta cietoksni. \u201ePiespraudes izst\u0101dei ir simboliski atmi\u0146u nospiedumi par skaisto milzi \u2013 Daugavpils cietoksni. (\u2026) Iespaid\u012bgais b\u016bves m\u0113rogs un bastionu tipa cietok\u0161\u0146iem rakstur\u012bgais zvaigznes siluets ir rosin\u0101jis mani darin\u0101t piespraudes k\u0101 arhitektoniskas strukt\u016bras, kas ietver \u012bpa\u0161i sl\u012bp\u0113tus akme\u0146us,\u201d st\u0101sta autore.<\/p>\n

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Zane Vilka, Baltais cietoksnis, sudrabs, ah\u0101ts, op\u0101ls, 62x56x14 mm; Melnais cietoksnis, sudrabs, ah\u0101ts, 70x45x14 mm; Zelta cietoksnis, sudrabs, kvarcs, ja\u0161ma, 77x69x17 mm, 2020,\u00a0foto: autora \u012bpa\u0161ums<\/figcaption><\/figure>\n
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Anita Savicka\/ ANITA SONDORE, ZVAIGZNES Z\u012aME, sudrabs, saf\u012bri, diam. 50 mm, foto: autora \u012bpa\u0161ums<\/figcaption><\/figure>\n

Izst\u0101d\u0113 piedal\u012bj\u0101s ar\u012b m\u0101kslinieki, kuru darbos nesaskat\u012bju tie\u0161u saist\u012bbu ne ar Rotko, ne cietok\u0161\u0146iem, bet jebkura rota pamat\u0101 ir ar\u012b sava veida z\u012bme. Tre\u0161\u0101 apak\u0161sada\u013ca \u2013 m\u0101kslinieki, kuru darbi izst\u0101d\u0113 turpina tisin\u0101t agr\u0101k aizs\u0101ktas t\u0113mas. \u0160aj\u0101 da\u013c\u0101 var\u0113tu iek\u013caut ar\u012b augst\u0101k min\u0113tos m\u0101ksliniekus Gunti Lauderu, Gintu Str\u0113li un Andri Lauderu, jo vi\u0146u darbi vienl\u012bdz labi atbilst k\u0101 izst\u0101des virst\u0113mai – Rotko un Daugavpils, t\u0101 ar\u012b turpina agr\u0101k aizs\u0101ktas m\u0101kslinieku iem\u012b\u013cotas t\u0113mas un mot\u012bvus.<\/p>\n

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Jelizaveta Suska, Frozen Moment: The Night 1, polim\u0113rs, magmatiskais smiltis, 14 K zelts, tit\u0101ns, izm\u0113rs: 10x2x3 cm, 2017, foto: autora \u012bpa\u0161ums<\/figcaption><\/figure>\n

\u0160eit j\u0101min Jelizaveta Suska, kura izst\u0101d\u0113 piedal\u0101s ar darbiem no kolekcijas \u201cFrozen Moment\u201d, kas jau ieguvu\u0161i pasaules m\u0113roga atzin\u012bbu Herbert Hofmann<\/em> balvas izskat\u0101 2016. gad\u0101. Ilze Egle ir viena no nesenaj\u0101m Latvijas M\u0101kslas akad\u0113mijas Met\u0101la dizaina katedras absolvent\u0113m, t\u0101 pat k\u0101 Darja Semjonova, Maija V\u012btola-Zitmane un Una Mikuda. Ilzes Egles Ma\u0123istra darb\u0101 aizs\u0101kt\u0101 m\u0101ko\u0146u kr\u0101so\u0161ana (alum\u012bnija anod\u0113\u0161ana) tiek att\u012bst\u012bta jaun\u0101s kompoz\u012bcij\u0101s un kombin\u0101cij\u0101s ar sudraba akcentiem.<\/p>\n

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Ilze Egle, Nr. 1. (melns,dzeltens), 2019, anod\u0113ts alum\u012bjs, sudrabs, izm\u0113rs: 68x49mm, foto: autora \u012bpa\u0161ums<\/figcaption><\/figure>\n
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Darja Semjonova, Inici\u0101cija\/Initiation\/ \u041f\u043e\u0441\u0432\u044f\u0449\u0435\u043d\u0438\u0435, 2020, zelts, melnkoks, izm\u0113ri: 15x10cm, foto: autora \u012bpa\u0161ums<\/figcaption><\/figure>\n

Darja Semjonova ar\u012b turpina sev tuvu t\u0113mu jau kop\u0161 akad\u0113mij\u0101 pavad\u012btajiem studiju gadiem, \u0161oreiz melnkoka piespraudes ar iestr\u0101d\u0101tajiem zelta akcentiem nosaucot \u201cInici\u0101cija\u201d. Maija V\u012btola-Zitmane ir viena no daudzsolo\u0161\u0101kaj\u0101m jaun\u0101s paaudzes rotu m\u0101ksliniec\u0113m, vi\u0146as darbi atrodami ar\u012b m\u0101kslas galerij\u0101 Putti, kura ilgsto\u0161i notur\u0113ja presti\u017eas laikmet\u012bgo rotu galerijas statusu, tom\u0113r marta beig\u0101s savas durvis apmekl\u0113t\u0101jiem sl\u0113gs. “Uzplaukums” un “Mantot\u0101 gaisma” abas ir melnkoka piespraudes, bet at\u0161\u0137iras ar to, ka pirm\u0101 grebta no rokas, bet otraj\u0101 izmantots st\u012bgu instrumenta fragments (kas jau iekod\u0113ts pa\u0161\u0101 nosaukum\u0101). Rotas papildina ar\u012b apzelt\u012bta sudraba un gran\u0101ta akcenti.<\/p>\n

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Maija V\u012btola \u2013 Zitmane, Uzplaukums \/Blossom, 2020, ar roku grebts melnkoks, apzelt\u012bts sudrabs, gran\u0101ti, izm\u0113rs: 7.5×4 cm, foto: autora \u012bpa\u0161ums<\/figcaption><\/figure>\n

Man ir ticis tas gods izst\u0101d\u012bt rotas vien\u0101 vitr\u012bn\u0101 ar pasaules m\u0113roga rotu m\u0101ksliniekiem Jelizavetu Susku un Valdi Bro\u017ei. \u201cMar\u0137ieris\u201d (Next level token) un \u201cNezin\u0101mais par nezin\u0101mo\u201d ir Valda Bro\u017ees piespraudes. Vi\u0146a p\u0113d\u0113j\u0101 laik\u0101 tapu\u0161ajos darbos pamat\u0101 izmantots stikls, zelt\u012bta vai oksid\u0113ta sudraba ietvar\u0101.<\/p>\n

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Valdis Bro\u017ee, Mar\u0137ieris. Next level token, zelt\u012bts sudrabs, stikls, izm\u0113rs: 93x31x10 mm, foto: autora \u012bpa\u0161ums<\/figcaption><\/figure>\n

Unas Mikudas \u201cZ\u012bmes bez noz\u012bmes\u201d vizu\u0101li neapsp\u0113l\u0113 Rotko, vai k\u0101da cita m\u0101kslinieka gleznas, tom\u0113r es t\u0101s tik pat labi var\u0113tu ierindot ar\u012b pirmaj\u0101 grup\u0101 – darbi atg\u0101dina r\u0101mjus, kas atbilsto\u0161\u0101 kontekst\u0101 veido asoci\u0101cijas ar glezn\u0101m. Una Mikuda uzs\u0101kusi izaicin\u0101jumu katru dienu 2020 gad\u0101 rad\u012bt vienu nelielu piespraudi. L\u012bdz \u0161im vi\u0146a visas ir public\u0113jusi sav\u0101 Instagram<\/em> kont\u0101 un turpina to dar\u012bt. \u201cZ\u012bmes bez noz\u012bmes\u201d ir ar\u012b sava veida turpin\u0101jums vi\u0146as izaicin\u0101jumam pa\u0161ai sev, jo piespraudes nenoliedzami veidotas iev\u0113rojot vienas un t\u0101s pa\u0161as vadl\u012bnijas. Piespraudes pamat\u0101 nolas\u0101ma kvadr\u0101ta forma un izmantotie materi\u0101li ir sudrabs, termocaurule un neilona aukla.<\/p>\n

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Una Mikuda, Z\u012bmes bez noz\u012bmes, 2020, sudrabs, termocaurule, neilona aukla, izm\u0113ri: 65 x 60 mm, 75 x 70 mm, 70 x 75 mm, foto: autora \u012bpa\u0161ums<\/figcaption><\/figure>\n

Vladislava \u010cistjakova darbs \u201cDaugavpils iela\u201d s\u0101kotn\u0113ji \u0161\u0137iet pieder\u012bgs otrajai grupai, kur\u0101 m\u0101ksliniekus iedvesmojis Daugavpils cietoksnis, tom\u0113r p\u0113c pa\u0161a autora st\u0101st\u012bt\u0101, piespraude ir velt\u012bjums ielai R\u0113zekn\u0113. Pa \u0161o ielu m\u0101kslinieks b\u0113rn\u012bb\u0101 ikdienu m\u0113rojis ce\u013cu uz skolu. \u0160\u012b piespraude ar\u012b izpeln\u012bjusies visi neviennoz\u012bm\u012bgo v\u0113rt\u0113jumu skat\u012bt\u0101ju vid\u016b, jo taj\u0101 att\u0113lota apdrupusi siena ar pavir\u0161iem uzrakstiem kaimi\u0146valsts valod\u0101. Romantiskaj\u0101 uzrakst\u0101 M\u0430\u0448\u0430 + \u0421\u0430\u0448\u0430, ko ietver sirds forma, paties\u012bb\u0101 iekod\u0113tas autoram vien zin\u0101mas re\u0101las personas. Kaut ar\u012b s\u0101kotn\u0113ji negaid\u012bts, tom\u0113r \u0161is ir viens no spilgt\u0101kajiem izst\u0101des darbiem, jo neierakst\u0101s nevien\u0101 no man\u0101m iedomu kategorij\u0101m.<\/p>\n

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Vladislavs \u010cistjakovs, Daugavpils iela, 2020, sudrabs, izm\u0113ri: 50x70mm, foto: autora \u012bpa\u0161ums<\/figcaption><\/figure>\n

Autori, kuru darbus at\u0161ifr\u0113t pal\u012bdz nosaukums vai vizu\u0101l\u0101 valoda, sniedz skat\u012bt\u0101jam iesp\u0113ju sal\u012bdzin\u0101t da\u017e\u0101du person\u012bbu rado\u0161o domu lidojumu vien\u0101 virzien\u0101. Virziens ir viens, tom\u0113r interpret\u0101cijas jo da\u017e\u0101das.<\/p>\n

Esmu pateic\u012bga par iesp\u0113ju paz\u012bt \u0161os m\u0101ksliniekus un ar \u0161o rakstu ceru nedaudz iepaz\u012bstin\u0101t ar\u012b las\u012bt\u0101ju.<\/p>\n

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Da\u013ca autoru izst\u0101des Z\u012aME atkl\u0101\u0161an\u0101 Daugavpils Marka Rotko m\u0101kslas centr\u0101, no kreis\u0101s: Ginta Gr\u016bbe, Gints Str\u0113lis, Darja Semjonova, Andris Lauders, J\u0101nis Vilks, Zane Vilka, Vladislavs \u010cistjakovs, J\u0101nis Brants, Rasma Pu\u0161pure, Laura Selecka, M\u0101ris \u0160usti\u0146\u0161, foto: no person\u012bg\u0101 arh\u012bva<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Anal\u012btiska rakstveida apcere bez pretenzij\u0101m uz objekt\u012bvu viedokli, jo teksta autors ir ar\u012b viens no izst\u0101des dal\u012bbniekiem. Rotu m\u0101kslas biedr\u012bbas izst\u0101de Z\u012aME\/MARK tika atkl\u0101ta 7.febru\u0101r\u012b, Daugavpils Marka Rotko m\u0101kslas centr\u0101, Mihaila iel\u0101 3. Izst\u0101de apskat\u0101ma l\u012bdz \u0161.g. 12. apr\u012blim un taj\u0101 piedal\u0101s 20 rotu m\u0101kslinieki – Andris Lauders, Anita Savicka, Anna Fanigina, Darja Semjonova, Ginta … <\/p>\n

Continue reading “Rotu m\u0101kslas biedr\u012bbas izst\u0101de Z\u012aME”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-646","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/posts\/646","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/comments?post=646"}],"version-history":[{"count":5,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/posts\/646\/revisions"}],"predecessor-version":[{"id":678,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/posts\/646\/revisions\/678"}],"wp:attachment":[{"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/media?parent=646"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/categories?post=646"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/tags?post=646"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}