{"id":801,"date":"2022-10-09T14:20:22","date_gmt":"2022-10-09T12:20:22","guid":{"rendered":"http:\/\/ginta.lv\/?p=801"},"modified":"2022-10-24T14:22:12","modified_gmt":"2022-10-24T12:22:12","slug":"ginta-strela-personalizstade-puscela","status":"publish","type":"post","link":"https:\/\/ginta.lv\/index.php\/2022\/10\/09\/ginta-strela-personalizstade-puscela\/","title":{"rendered":"Ginta Str\u0113\u013ca person\u0101lizst\u0101de \u201cPUSCE\u013b\u0100\u201d"},"content":{"rendered":"\n

Rotu m\u0101kslinieks Gints Str\u0113lis no 2. septembra l\u012bdz 9. oktobrim priec\u0113ja \u0122.Eliasa Jelgavas v\u0113stures un m\u0101kslas muzeja viesus ar rotu un skulpt\u016bru izst\u0101di \u201cPusce\u013c\u0101\u201d.<\/strong><\/p>\n\n\n\n

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Izst\u0101d\u0113 “PUSCE\u013b\u0160”, foto: Ginta Gr\u016bbe <\/em><\/figcaption><\/figure>\n\n\n\n

Izst\u0101de iek\u0101rtota vien\u0101 no izst\u0101\u017eu z\u0101l\u0113m \u0113kas labaj\u0101 sp\u0101rn\u0101, muzeja 2. st\u0101v\u0101. Ginta Str\u0113\u013ca rotas un objektus papildin\u0101ja vi\u0146a darbu skices un lielform\u0101ta izdrukas ar z\u012bm\u0113jumu fragmentiem. \u201cPusce\u013c\u0161 ir att\u0101lums starp s\u0101kumu un m\u0113r\u0137i, ideju un rezult\u0101tu, rotu un lietot\u0101ju,\u201d t\u0101 saka autors. <\/p>\n\n\n\n

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Izst\u0101d\u0113 “PUSCE\u013b\u0160”, foto: Ginta Gr\u016bbe<\/em><\/figcaption><\/figure>\n\n\n\n

M\u0101kslinieka darbu \u0123en\u0113ze saskat\u0101ma seno civiliz\u0101ciju mot\u012bvos, kas le\u0123\u0113ti un meistar\u012bgi iestr\u0101d\u0101ti jaunos, v\u0113l nenosauktos tot\u0113miskos objektos. K\u0101 Z\u012bda ce\u013c\u0161 savulaik demonstr\u0113ja at\u0161\u0137ir\u012bgo kult\u016bru vizu\u0101lo izteiksmes l\u012bdzek\u013cu savstarp\u0113ju sajauk\u0161anos, t\u0101 Gints Str\u0113lis l\u012bm\u0113 kop\u0101 Anglosak\u0161u cil\u0161u est\u0113tiku ar Sen\u0101s \u0112\u0123iptes diev\u012bbu galvas rot\u0101m. Izst\u0101des nosaukums \u201cPusce\u013c\u0101\u201d ir k\u0101 vidus punkts starp da\u017e\u0101diem nogrie\u017e\u0146iem, ar\u012b starp rotu un lietot\u0101ju. Interesanti, ka tot\u0113mismam, k\u0101 reli\u0123ijas formai, ar\u012b rakstur\u012bga saiknes mekl\u0113\u0161ana starp cilv\u0113ku kopu un k\u0101du objektu vai subjektu. Tas var\u0113ja b\u016bt gan elements no dz\u012bvnieku pasaules, gan dabas par\u0101d\u012bba, vai pat priek\u0161mets. Ar\u012b izst\u0101d\u0113 redzamajos t\u0113los atpaz\u012bstam dz\u012bvniekus (stiliz\u0113ti m\u0101jlopi vai savva\u013cas lopi, putni), ar\u012b m\u0113nesi un sauli. Saule ir \u013coti sp\u0113c\u012bga m\u0101kslas valodas z\u012bme, t\u0101 var apz\u012bm\u0113t Dievu, gaismu, siltumu, ar\u012b dz\u012bv\u012bbas dev\u0113ju. Apg\u0101ztu augo\u0161a m\u0113ness formu iesp\u0113jams nov\u0113rot tuvojoties Zemes ekvatoram (uz Zieme\u013ciem m\u0113ness atg\u0101dina burtu D). T\u0101p\u0113c apg\u0101zta pusm\u0113ness simbolu redzam gan l\u012bdz\u0101s sen\u0101s Dienvidmezopot\u0101mijas iedz\u012bvot\u0101ju \u0161umeru m\u0113ness dievietei, gan \u0100frikas rietumu da\u013c\u0101 dz\u012bvojo\u0161o Seneg\u0101las zeltka\u013cu rot\u0101s.<\/p>\n\n\n\n

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Izst\u0101d\u0113 “PUSCE\u013b\u0160”, foto: Ginta Gr\u016bbe <\/em><\/figcaption><\/figure>\n\n\n\n

Izst\u0101des objekti ar kalnam l\u012bdz\u012bgu formu atg\u0101dina vairoga akmens kalves elementu, caur k\u0101du senie Vikingi p\u016bta pl\u0113\u0161as, lai pasarg\u0101tu t\u0101s no karstuma un fokus\u0113tu gaisa str\u016bklu. Ginta Str\u0113\u013ca veidot\u0101s rotas ienes izst\u0101d\u0113 kr\u0101su dimensiju. Skulpt\u016br\u0101s redzami met\u0101liskie to\u0146i no bronzas silti dzelten\u0101, l\u012bdz sudraba baltajam ar melno \u2013 \u00a0visu gaismas starojumu absorbentu \u2013 pa vidu. Rot\u0101s, blakus strausa \u010daumalas un p\u0113rles baltajam, iemirdzas ar\u012b da\u017e\u0101du to\u0146u kvarci, dzintara oran\u017eais, un tirk\u012bza zilais tonis. Br\u012b\u017eiem m\u0101kslinieks sav\u0101s kompoz\u012bcij\u0101s triepj visu m\u0101kslas v\u0113sturi, k\u0101 impresionisti triepa kr\u0101sas. \u0160\u0137iet ka pilno bildi lab\u0101k saskat\u012bt, piemiedzot acis vai atk\u0101pjoties. Savuk\u0101rt tikai izkadr\u0113jot nelielu fragmentu, iesp\u0113jams saskat\u012bt cilv\u0113ka acij tik t\u012bkamo minim\u0101lismu.<\/p>\n\n\n\n

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Izst\u0101d\u0113 “PUSCE\u013b\u0160”, foto: Ginta Gr\u016bbe <\/figcaption><\/figure>\n\n\n\n

K\u0101 Ginta Str\u0113\u013ca darbi sadz\u012bvo ar m\u016bsdienu dinamiku un neizb\u0113gamo globaliz\u0101ciju? Anglosak\u0161u valoda, kas izveidoj\u0101s ilgsto\u0161\u0101 v\u0113stures att\u012bst\u012bbas proces\u0101, viduslaikos att\u012bst\u012bj\u0101s par ang\u013cu valodu, kur\u0101 jaun\u0101 interneta paaudze orient\u0113jas br\u012bv\u0101k, k\u0101 dzimtaj\u0101 valod\u0101. Britu salu teritorij\u0101 dz\u012bvojo\u0161o Vikingu m\u0101ksla, kam bija rakstur\u012bga formas stiliz\u0101cija, kas tuva m\u0101kslinieka Ginta Str\u0113\u013ca rokrakstam, bijusi bag\u0101tin\u0101ta ar tik daudz da\u017e\u0101diem simboliem un sp\u0113c\u012bg\u0101m z\u012bm\u0113m, ka nav iesp\u0113jams izsekot to visu saist\u012bbai ar pa\u0161iem Vikingiem. Iesp\u0113jams, ka drosme neizvair\u012bties no atpaz\u012bstamiem un varb\u016bt pat par banalit\u0101ti k\u013cuvu\u0161iem simboliem ir Ginta Str\u0113\u013ca rakstur\u012bg\u0101k\u0101 kvalit\u0101te. Rotu m\u0113r\u0137auditoriju var\u0113tu uzrun\u0101t ar\u012b  j\u0113dzieniski ietilp\u012bgie pretnostat\u012bjumi \u2013 saule pret m\u0113nesi, melnais pret balto, lielais pret mazo. L\u012bdz\u012bgi, k\u0101 m\u016bzik\u0101 var nov\u0113rt\u0113t pretnostat\u012bjumus \u2013 ska\u013cais pret kluso, l\u0113nais pret \u0101tro, t\u0101 ar\u012b Gints Str\u0113lis atrod savas kompoz\u012bcijas pusce\u013c\u0101 starp da\u017e\u0101diem m\u0101kslas pasaules nogrie\u017e\u0146iem.<\/p>\n\n\n\n

Teksts: Ginta Gr\u016bbe<\/p>\n\n\n\n

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Izst\u0101d\u0113 “PUSCE\u013b\u0160”, foto: Ginta Gr\u016bbe <\/em><\/figcaption><\/figure>\n\n\n\n
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Izst\u0101d\u0113 “PUSCE\u013b\u0160”, foto: Ginta Gr\u016bbe <\/em><\/figcaption><\/figure>\n\n\n\n
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Izst\u0101d\u0113 “PUSCE\u013b\u0160”, foto: Ginta Gr\u016bbe <\/em><\/figcaption><\/figure>\n\n\n\n
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Izst\u0101d\u0113 “PUSCE\u013b\u0160”, foto: Ginta Gr\u016bbe <\/em><\/figcaption><\/figure>\n\n\n\n
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Izst\u0101d\u0113 “PUSCE\u013b\u0160”, foto: Ginta Gr\u016bbe <\/em><\/figcaption><\/figure>\n\n\n\n
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Izst\u0101d\u0113 “PUSCE\u013b\u0160”, foto: Ginta Gr\u016bbe <\/em><\/figcaption><\/figure>\n\n\n\n
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Izst\u0101d\u0113 “PUSCE\u013b\u0160”, foto: Ginta Gr\u016bbe <\/em><\/figcaption><\/figure>\n\n\n\n
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Izst\u0101d\u0113 “PUSCE\u013b\u0160”, foto: Ginta Gr\u016bbe <\/em><\/figcaption><\/figure>\n\n\n\n
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Izst\u0101d\u0113 “PUSCE\u013b\u0160”, foto: Ginta Gr\u016bbe <\/em><\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Rotu m\u0101kslinieks Gints Str\u0113lis no 2. septembra l\u012bdz 9. oktobrim priec\u0113ja \u0122.Eliasa Jelgavas v\u0113stures un m\u0101kslas muzeja viesus ar rotu un skulpt\u016bru izst\u0101di \u201cPusce\u013c\u0101\u201d. Izst\u0101de iek\u0101rtota vien\u0101 no izst\u0101\u017eu z\u0101l\u0113m \u0113kas labaj\u0101 sp\u0101rn\u0101, muzeja 2. st\u0101v\u0101. Ginta Str\u0113\u013ca rotas un objektus papildin\u0101ja vi\u0146a darbu skices un lielform\u0101ta izdrukas ar z\u012bm\u0113jumu fragmentiem. \u201cPusce\u013c\u0161 ir att\u0101lums starp … <\/p>\n

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