{"id":876,"date":"2024-03-18T16:17:51","date_gmt":"2024-03-18T14:17:51","guid":{"rendered":"https:\/\/ginta.lv\/?p=876"},"modified":"2026-02-23T00:24:08","modified_gmt":"2026-02-22T22:24:08","slug":"vai-zini-ka-zelta-cena-var-ietekmet-rotu-stilu","status":"publish","type":"post","link":"https:\/\/ginta.lv\/index.php\/2024\/03\/18\/vai-zini-ka-zelta-cena-var-ietekmet-rotu-stilu\/","title":{"rendered":"Vai zini, ka zelta cena var ietekm\u0113t rotu stilu?"},"content":{"rendered":"\n

Ieraksts tapis pateicoties Intai Z\u0113gnerei, raid\u012bjumam “Vai zini?” klasika.lsm.lv<\/a><\/p>\n\n\n\n

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20. gadsimta otraj\u0101 pus\u0113 zelta cena \u010detru gadu laik\u0101 vair\u0101k nek\u0101 \u010detrk\u0101r\u0161oj\u0101s<\/a>. \u0160is cenu k\u0101pums kalpoja par stimulu rotu m\u0101ksliniekiem str\u0101d\u0101t ar t\u0113raudu, alum\u012bniju un plastmasu zelta viet\u0101. Zelta cenas aptuvenais k\u0101pums var\u0113ja b\u016bt no 19 uz 88 eiro par gramu zelta nepiln\u0101 piecgad\u0113.<\/strong><\/p>\n\n\n\n

Piepras\u012bjums p\u0113c zelta k\u0101 invest\u012bciju objekta pieaug gr\u016btos laikos, jo akciju tirgi k\u013c\u016bst maz\u0101k pievilc\u012bgi. T\u0101d\u0113j\u0101di zelts tiek uzskat\u012bts par labu ieguld\u012bjumu kr\u012bzes apst\u0101k\u013cos. Iev\u0113rojamais k\u0101pums 1980. gad\u0101 notika p\u0113c padomju milit\u0101ristu iesaist\u012b\u0161an\u0101s Afganist\u0101n\u0101, p\u0113c desmit gadus ilgas infl\u0101cijas, naftas [tirgus] satricin\u0101jumiem un amerik\u0101\u0146u milit\u0101raj\u0101m neveiksm\u0113m, kas ar\u012b izskaidro zelta cenas k\u0101pumu.<\/p>\n\n\n\n

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Cena k\u013cuva ar\u012b par vienu no iemesliem rot\u0101s neizv\u0113l\u0113ties zeltu<\/a>, aizbildinoties ar t\u0101 izie\u0161anu no modes un v\u0113lmi rad\u012bt rotas, kas pieejamas visiem \u2013 neatkar\u012bgi no soci\u0101l\u0101 st\u0101vok\u013ca.<\/p>\n<\/blockquote>\n\n\n\n

20. gs 70. gados N\u012bderland\u0113 darboj\u0101s vair\u0101ki rotu m\u0101kslinieki, kas savu rado\u0161o darb\u012bbu nostat\u012bja l\u012bdz\u0101s vizu\u0101lajai m\u0101kslai \u2013 nevis amatniec\u012bbai, k\u0101 tas tika dar\u012bts l\u012bdz \u0161im. P\u0101rmai\u0146u laiks bija pateic\u012bgs br\u012bdis materi\u0101la izv\u0113les mai\u0146ai, jo tas pal\u012bdz\u0113ja izcelt at\u0161\u0137ir\u012bgo pieeju rotu m\u0101ksl\u0101.<\/p>\n\n\n\n

Dizaineru p\u0101ris Gijs Bakers (Gijs Bakker<\/em>) un Emmija Van L\u0113rsuma (Emmy van Leersum<\/em>) bija vieni no akt\u012bv\u0101kajiem eksperiment\u0113t\u0101jiem.<\/p>\n\n\n\n

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Vi\u0146i organiz\u0113ja izst\u0101di ar nosaukumu \u201cObjekti, ko valk\u0101t\u201d. Nosaukums mums atkl\u0101j, ka autori tiec\u0101s main\u012bt fokusu no rotas k\u0101 dekorat\u012bva rot\u0101juma vai statusa simbola uz rotu k\u0101 autonomu objektu, kas iemieso autora rado\u0161o ideju.<\/p>\n<\/blockquote>\n\n\n\n

Gan Emmija un Gijs, gan citi vi\u0146u laikabiedri tiec\u0101s main\u012bt rotaslietu paradigmu, mainot ar\u012b vidi, kur rotas tiek demonstr\u0113tas. Rotas no veikaliem un darbn\u012bc\u0101m tika p\u0101rnestas uz galerij\u0101m un muzejiem, l\u012bdz\u012bgi k\u0101 tas jau bija noticis ar keramiku, stikla un tekstila darbiem.<\/p>\n\n\n\n

Gija Bakera darbi, bie\u017ei humoristiski un ironiski, reti dekorat\u012bvi, bet uzdod b\u016btiskus jaut\u0101jumus: K\u0101p\u0113c cilv\u0113ki valk\u0101 rotaslietas? Ko rotaslietas dara ar cilv\u0113kiem? K\u0101da ir juveliera loma \u0161aj\u0101 proces\u0101? (Liesbeth den Besten, \u201cMetalsmith Magazine Vol. 7. No. 1<\/a>\u201d, 1987. gads.<\/em>)<\/p>\n\n\n\n

Industri\u0101lo materi\u0101lu un tehnikas p\u0101rnese rot\u0101s izpaud\u0101s, piem\u0113ram, Gija izstr\u0101d\u0101taj\u0101 ner\u016bs\u0113jo\u0161\u0101 t\u0113rauda aproc\u0113, fiks\u0113jot to, izmantojot punktmetin\u0101\u0161anu. Vi\u0146\u0161 eksperiment\u0113ja, ar\u012b lamin\u0113jot fotogr\u0101fijas ar d\u0101rg\u0101m karalisk\u0101s \u0123imenes kaklarot\u0101m.<\/p>\n\n\n\n

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Bakers ironiz\u0113ja par zelta cenu, veidojot darbu ar nosaukumu \u201cNeredzam\u0101s rotas\u201d, kas sast\u0101v\u0113ja no zelta stieples, ko bija paredz\u0113ts stingri uzt\u012bt uz rokas un p\u0113c laika no\u0146emt, \u2013 nospiedums uz rokas bija vi\u0146a izpratne par rotu.<\/p>\n<\/blockquote>\n\n\n\n

Lai ieg\u016btu apjom\u012bgaj\u0101m, apkaklei l\u012bdz\u012bgaj\u0101m rot\u0101m ko\u0161as kr\u0101sas, vi\u0146\u0161 izmantoja alum\u012bnija anod\u0113\u0161anu, kas industri\u0101laj\u0101 ra\u017eo\u0161an\u0101 un arhitekt\u016br\u0101 tika izmantota jau kop\u0161 starpkaru perioda, tom\u0113r rotasliet\u0101s tas bija jaunums. M\u0113biusa lente ar\u012b k\u013cuva par iedvesmu formas p\u0113tniec\u012bbai un p\u0101rnesei alum\u012bnij\u0101 un t\u0113raud\u0101, l\u012bdz\u012bgi k\u0101 bezgal\u012bg\u0101s virsmas ideju savos darbos ilustr\u0113ja grafi\u0137is E\u0161ers. M\u0113biusa lentes mot\u012bvs bija pateic\u012bgs aproces formai.<\/p>\n\n\n\n

Rotu m\u0101kslinieks un grafi\u0137is Roberts Smits, kur\u0161 ar\u012b darboj\u0101s N\u012bderland\u0113 20. gs. otraj\u0101 pus\u0113, uz laiku piln\u012bb\u0101 p\u0101rtrauca <\/a>rotu m\u0101kslinieka karjeru un atgriez\u0101s pie t\u0101s p\u0113c vair\u0101ku gadu pauzes. Vi\u0146\u0161 kritiz\u0113ja tolaik radik\u0101lo holandie\u0161u laikmet\u012bgo rotu att\u012bst\u012bbas virzienu, kur\u0101 zelts bija teju nepie\u0146emams materi\u0101ls.<\/p>\n\n\n\n

Gijs Bakers p\u0101rmeta Smitam, ka vi\u0146\u0161 cen\u0161as saglab\u0101t novecoju\u0161o rotas k\u0101 statusa simbola poz\u012bciju, turpinot izmantot rot\u0101s zeltu, kaut ar\u012b \u013coti pl\u0101n\u0101s, folijai l\u012bdz\u012bg\u0101s k\u0101rt\u0101s.<\/p>\n\n\n\n

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20. gs. otr\u0101s puses holandie\u0161u radik\u0101l\u0101 pieeja rotu m\u0101kslai neapstiprin\u0101ja vi\u0146u s\u0101kotn\u0113ji uzst\u0101d\u012bto hipot\u0113zi, ka, ja rotas tiks izgatavotas no l\u0113t\u0101kiem pieejamajiem materi\u0101liem un izgatavo\u0161an\u0101 tiks izmantotas industri\u0101laj\u0101 ra\u017eo\u0161an\u0101 aizg\u016btas metodes, tad \u0161\u0101du laikmet\u012bgu rotu popularit\u0101te un piepras\u012bjums strauji augs.<\/p>\n<\/blockquote>\n\n\n\n

M\u0101kslinieku eksperimenti palika galeriju un muzeju sien\u0101s. To ra\u017eo\u0161anas apjomi nepietuvoj\u0101s s\u0101kotn\u0113ji cer\u0113tajam. Toties \u0161aj\u0101 laik\u0101 tapu\u0161\u0101s rotas iez\u012bm\u0113 jaunas \u0113ras s\u0101kumu rotu m\u0101ksl\u0101, kur at\u013cauti visi materi\u0101li un m\u0101kslinieka idejas lidojums netiek ierobe\u017eots.<\/p>\n","protected":false},"excerpt":{"rendered":"

Ieraksts tapis pateicoties Intai Z\u0113gnerei, raid\u012bjumam “Vai zini?” klasika.lsm.lv 20. gadsimta otraj\u0101 pus\u0113 zelta cena \u010detru gadu laik\u0101 vair\u0101k nek\u0101 \u010detrk\u0101r\u0161oj\u0101s. \u0160is cenu k\u0101pums kalpoja par stimulu rotu m\u0101ksliniekiem str\u0101d\u0101t ar t\u0113raudu, alum\u012bniju un plastmasu zelta viet\u0101. Zelta cenas aptuvenais k\u0101pums var\u0113ja b\u016bt no 19 uz 88 eiro par gramu zelta nepiln\u0101 piecgad\u0113. Piepras\u012bjums p\u0113c zelta … <\/p>\n

Continue reading “Vai zini, ka zelta cena var ietekm\u0113t rotu stilu?”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-876","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/posts\/876","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/comments?post=876"}],"version-history":[{"count":2,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/posts\/876\/revisions"}],"predecessor-version":[{"id":879,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/posts\/876\/revisions\/879"}],"wp:attachment":[{"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/media?parent=876"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/categories?post=876"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ginta.lv\/index.php\/wp-json\/wp\/v2\/tags?post=876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}