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Robert Baines

This is a review about my trip to Munich Jewellery Week 2015. This was the first time I attended the event that takes place in Munich for 50 years – so I read in Klimt02.net.

At first I had a print out program from http://klimt02.net/events/fairs/schmuck-2015 and on my way to Munich as I was going by bus and had a lot of time I googled all the artists and galleries from the first days so I could figure out the places I am more interested in visiting. According to the program for the first two days – 9th and 10th March it was possible to visit all the events. As I read, the “GBJ Projekt 3” was the only place opened on Monday and the owner was not planing to have many visitors in the morning, because obviously other visitors new that on Thursday Daniel Kruger’s exhibition would open just next door and it would be better to visit both exhibitions at the same time. These kind of things were pretty hard to trace from the info I could find on the Internet. Things changed on the third day when I bought the Current Obsession Paper. On 64 pages of content that I never had the time to reed I would find the complete guide to Munich Jewellery Week – so the Current Obsession team calmed on their web page + a large city map and previews and images of each featured event that turned out to be extremely useful for someone who is visiting the week for the first time. It was those 10 eur worth.
I didn’t manage to go to all the exhibitions and events and somehow the feeling that it was not possible for any human being never left my mind. I visited 26 galleries, 8 exhibitions, 3 lectures and 18 other jewelery expositions fulfilled in various shapes and forms and more then 30 events events remained unvisited due to the lack of time and me having the feeling my legs may fall out of order. I remember people asking me as I enter a gallery: Are you doing the marathon as well? I guess, there were a lot of students like me, I met some of them from Lithuania and a lot of Germans of course. This was a great opportunity to see so much jewelery art at he same time and with so little expenditure. I tried to photograph as much as possible as it’s my current obsession. Further you will find some photos with my comment’s.

Event map. The places I visited – green, the places I didn’t – pink. The places I liked most – green with a dark blue circle.

One page from the event’s program with my comment’s

Day 1

Galerie Biró Junior zu Gast bei Galerie Jordanow
“GBJ Projekt 3”, Catarina Hällzon, Heejoo Kim, Réka Lörincz, Nolia Shatki, Flóra Vági
9-21 March, Mo.-Sa. 11-18, So.11-15 h
Zieblandstr. 19, 80799 Munich

“GBJ Projekt 3” Heejoo Kim

“GBJ Projekt 3” Réka Lörincz

“GBJ Projekt 3” Catarina Hällzon, necklaces, silver, intestines from pig

“GBJ Projekt 3” The collection by Nolia Shatki “Throw away Gold” is made out of Nespresso capsules and gold.

Corner of the building of Galerie Biró

Day 2

Galerie Wittenbrink

“Hermann Jünger – Zu Ehren von Hermann Jünger” (with catalogue)

10.-17.March., Di.-Sa. 10-18 h, Do. 10 -20 h.

Türkenstr. 16, 80333 Munich

For a great surprise the lady working at the Galerie Wittenbrink after finding out I was from Latvia turned out to be half Latvian. Her father was from: A small village called Riga, as she said. This sounded quite funny as Riga is the capital of Latvia and about half of the Latvian citizen live there. However she was really friendly and showed me all the exposition and advised which events are worth seeing. This was one of my favorite exhibitions because Herman Jünger was an artist I had learned about in jewelery art history and he is also called the father of art jewelery.

Necklace, 2002, gold, niello (from wikipedia – a black mixture of copper, silver, and lead sulphides, used as an inlay on engraved or etched metal) , not for sale

Brooch, around 1969, silver, gold, enamel, workshop-stamp, not for sale

Back of a brooch, 1973, silver, gold, enamel, workshop-stamp, not for sale

Pendants, 1996, gold, silver, niello, signed, workshop-stamp, 8.900.- for the silver ones, 10.700,- for the gold one


On the left – brooch, 1973, silver, gold, enamel, workshop-stamp, not for sale, on the right – brooch, 1973, silver, gold, enamel, workshop-stamp, not for sale

Necklace, 1979, gold, silver, enamel, not for sale

On the left – brooch, 1995,gold, signed, workshop-stamp, 12.500,-, on the right – brooch, 1997, gold-plated silver, signed, workshop-stamp, 11.600,-

Pendants, on top – 1990, fine gold on steel and tombak, workshop-stamp, 13.400.- , on the left – 1990, fine gold on steel, workshop-stamp, 13.400.-, on the right – 1990, fine gold on tombak, signed, workshop-stamp, not for sale

Earrings, 1996, gold, workshop-stamp 7.100,-

Pendants, 1994, gold, silver, workshop-stamp, each 6.800,-

Pendant, 1994, silver, workshop-stamp, 6.800,-

Pendant, 1994, gold, silver, signed, workshop-stamp, 6.800,-

Brooch, 1992, silver, gold, enamel, signed, workshop-stamp, 17.850,-

Pendants, 1994, gold, silver, workshop-stamp

Necklace, 1999, silver, signed, workshop-stamp, 8.900,-

Necklace, around 1962, gold, enamel, agate, carnelian, turquoise, chalcedony, chorals, not for sale

Varieties of pendents, gold, silver, enamel, ruby, brick, undated, not for sale

Bracelets, 1958, silver, workshop-stamp, 32.100,-

Galerie Wittenbrink

Akademie Galerie
“Ich bin keine Vase”; Jing Yang
U-Bahn U3/U6, Station Universität Zwischengeschoss
11.-17.March

Jing Yang was the “Talente” at the IHM (Internationale Handwerksmesse
Messegelände) 1st price winner.
TALENTE is an international competition for young skilled craftspeople in the field of design and technology. The special exhibition is a reflection of the ideas of young people and is characterized by their experimental approach to materials and craft techniques. Info from http://www.ihm-handwerk-design.com/en/visitors/highlights/I whent to the exhibition about 50 min before opening hour that was at 18.00. All the other galleries that opened on the 11th of March except Gallerie Wittenberg had their openings at 19.00.

Jing Yang was still preparing the gallery space, witch was very difficult to find because it was inside a metro station. She said that the exhibition is not opened jet but I kindly asked her, could I still take a look, because I might not have time to came back after an hour, for I would be busy visiting the rest four openings that evening. She allowed me to look, but she didn’t want to appear in the pictures, she had been working pretty hard to make the whole exhibition and hadn’t changed to the exhibition opening clothes. She had done a great job, the room looked really good! The only thing I missed apart from Jing in her evening outfit where some videos that were supposed to appear in the windows. I loved the way the exposition was arranged, with the white walls and nothing redundant. But the location of the so to call gallery was not the best one.

“Ich bin keine Vase”; Jing Yang

“Ich bin keine Vase”, necklace, brass, cotton cord, Jing Yang

“Ich bin keine Vase”; Jing Yang

Kunsthaus Maximilian
“Zeichen der Zeit – Time perception”, Hatara-project, Annea Lounatvuori & Christine Jalio
Maximilianstr. 54, 80538 Munich

Kunsthaus Maximilian was participating in the Munich Jewellery Week for the first time. They had the Current Obsession made yellow sine outside their door, that helped to locate the right doors. Inside I found some Tape Art by Max Zorn. I was a bit surprised not to find any jewelery there. But after looking at the first rooms and not finding any jewelry art it turned out that there are several other rooms at the back and one of them was the place I was actually looking for. A nice guy Janne Lounatvuori invited me inside and started talking a lot in pretty good English. I liked the enthusiasm he had and the fact that the jewelry artist, who was his girlfriend had gone to the shop for some wine. He told almost everything about the pieces. As I understood the two artists were students from Finland, Lahti and this was also their Thesis exhibition. This seemed an encouraging fact, because I’m to finish my Master’s this year as well so I realized I could participate in Munich Jewellery Week as they were.
The pieces were interesting as the people I met there. The room was small and I thought that the gallery owners could have allocated a bigger space like the first room to the artists, because Munich Jewellery Week was a big event and a lot of people were visiting Munich just to see the jewelery exhibitions.

Christine Jalio work on the left. Her pieces are made from a special polymer clay or something like that, Annea Lounatvuori is working with horse hair and Plexiglas and silver (on the right)

Christine Jalio on the left, Annea Lounatvuori on the right

Annea Lounatvuori http://www.ponyjewelry.com/
P O N Y jewelery is a label which combines horse hair with silver in a contemporary and minimalistic way (info from http://www.munichjewelleryweek.com/event/zeichen-der-zeit-time-perception/)

Christine Jalio

Christine Jalio brooches on the left, Annea Lounatvuori with her rings on the right

kunstarkaden Ein Kunstraum der Stadt München
“Schmuck/Objekte/Video“ Martin Papcùn, Merlin Klein, Pedro Sequeira, Junwon Jung
Sparkassenstr. 3, Munich

This place was a bit difficult to locate but when I finally found the entrance the place left a basement kind of feeling probably because it was a basement. It reminded me of my professor J.Taurens who likes to talk about architecture and a fragment of Franz Kafka’s work with a room that has low sealing and makes the person feel clumsy. I was feeling a bit clumsy there because there were a lot of people talking to each other and I didn’t know anyone there and I could only guess which were the artists and which were the visitors.
I tried not to spend too much time there because I still had other places to visit, I took as much as photos as possible, to help me remember everything. Then I noticed one of the artists showing how his jewelery pieces work and that was really interesting, because you couldn’t tell from the looks that some of them were kinetic pieces.

“Schmuck/Objekte/Video“ Merlin Klein

“Schmuck/Objekte/Video” Junwon Jung demonstrating his brooch

This was a brooch that had a moving needle. If you took the piece of your body an turned it up side down the needle slipped inside the square.

“Schmuck/Objekte/Video” Junwon Jung

I like the jewelery exhibition openings because you can often see people wearing artistic jewelery pieces that you would not normally see on the street.

“Schmuck/Objekte/Video“ Junwon Jung

“Schmuck/Objekte/Video“ Junwon Jung

“Schmuck/Objekte/Video“ Martin Papcun and Pedro Sequeira

I was a bit careless to these artists, because I was paying more attention to jewelery but I liked the small objects by Papcun. They seemed like something I could make and I feel a good relation with these kind of objects.

“Schmuck/Objekte/Video“ Martin Papcùn

“Schmuck/Objekte/Video“ Pedro Sequeira

I’ m not sure of what I think about putting art right on the floor, somehow I didn’t feel the need to ask why is the work showed in this way, but maybe If I would have, it would seem like a perfectly logical way to show the work.

“Schmuck/Objekte/Video“ Martin Papcùn

“Schmuck/Objekte/Video“ Martin Papcùn

“Schmuck/Objekte/Video“ at the entrance

Maurer Zilioli – Contemporary Arts zu Gast bei Kunstbüro reillplast
“Quodlibet”, Christiane Förster, Norman Weber
Amalienstr. 21, 80333 Munich

This was an extremely small gallery. It was impossible to move around or even take some pictures of the jewelry pieces, because the opening was really well attended. But as the artist’s are really good professionals that explains the good attendance.

Opening of “Quodlibet”

“Quodlibet” Maurer Zilioli wearing Norman Weber’s piece

Super + Centercourt Gallery in day time
“paper-plastic-metal-stone”, Emi Fukuda, Clementine Edwards, Gillian Campbell Deery, Katie Jayne Britchford
9-17.March., Mo.-Fr. 12-17 h, Sa./So. 14-17 h
Adalbertstr. 44, 80799 Munich

Super + Centercourt Gallery in the evening
“paper-plastic-metal-stone”, Emi Fukuda, Clementine Edwards, Gillian Campbell Deery, Katie Jayne Britchford

Here are two pictures of the Super + Centercourt Gallery. One was during the day when I passed it the other one at night. This was a nice place, big windows is definitely a positive feature for a gallery. Although I might not appreciate the work of all four artists in the exhibition ” paper-plastic-metal-stone” I definitely liked the scenography and the presentation of the pieces. The room was full of students drinking beer and wine. The atmosphere was really casual and maybe bohemian. I had a short conversation with Ralf studying painting in Munich and he pointed out that he prefers the artist working with plastic. I guess I could agree with him on this. The feeling of carelessness just didn’t leave my mind examining the pieces.

“paper-plastic-metal-stone” from outside through the window

“paper-plastic-metal-stone” Gillian Campbell Deery, woven and fused sterling silver, 2014

“paper-plastic-metal-stone” Clementine Edwards

“paper-plastic-metal-stone” Katie Jayne Britchford 2015, “Green” jasper, marble, cord

“paper-plastic-metal-stone” Emi Fukuda

“paper-plastic-metal-stone” exposition view

“paper-plastic-metal-stone” scenography detail

Day 3

At first when looking for information on the Internet about the Munich Jewellery Week 2015 and Schmuck 2015 I couldn’t understand the difference and the common between the two. But Schmuck 2015 is just one part of the Internationale Handwerksmesse (International Trade Fair) taking place in a big expo hall a bit outside the Munich city center. So on the 11th of March I visited the events related to jewelry in the International Trade Fair Munich. Special Shows were located in Pavilion B1 and they were – Schmuck 2015, Talente 2015, Exempla 2015 “Forum der Meister”, Meister der Moderne 2015 and frame with Galerie Marzee, Platina, Ra, Rosie Jäger and Chrome Yellow Book. The entrance costed only 8 eur, that was a nice surprise. The most expensive entrance ticket I bought during my visit in Munich was 10 eur for the visit of HAUS DER KUNST but Louise Bourgeois was definitely worth it!

International Handwerksmesse Trade Fair in Munich (Pavilion B1) Meisterschule für das Holzbildhauerhandwerk (München) showing their work in process.

Gallery Marzee

Art Jewelry Forum http://www.artjewelryforum.org/

Gallery Marzee

Gallery Ra

Vintage Design M. Müller
“aire negro”, Alejandra Solar. Introduction by Brigitte Betz, that I missed unfortunately.
Fraunhoferstr. 41, 80469 Munich

Vintage Design M. Müller was a vintage store and of course I passed it for the first time like something that is not a gallery, but then I realized it was the right address and after moving through the vintage store you could find a white room, like you see in the pictures with Alejandra Solar jewelry pieces.

“aire negro” Alejandra Solar

WITTENBRINKFUENFHOEFE
Diana Dudek
Theatinerstr. 14, 80333 Munich

Diana Dudek

WITTENBRINKFUENFHOEFE

Galerie P 13 bei Carl Weishaupt
“Farbige Preziosen“, Historischer Emailschmuck
Promenadeplatz 13, 80333 Munich

The Faberge Preziosen was a wonderful exhibition. It was crowded as many other galleries at their openings. Rene Lalic was a famous artist I had herd about in my fashion history classes so it was great to see his work in real life. Interesting that you couldn’t find any students at this opening apart from me. It was older people and servants only.

Rene Lalic

Micheko Galerie
“Möbius”, Akiko Kurihara, Misato Seki
Theresienstr. 18, 80333 Munich

“Möbius” exhibition view

“Möbius” Akiko Kurihara “beer” silver, gold, glass

“Möbius” Artist showing “alchemistic stick” to the photographer

“Möbiu” Exhibition view with the artists

“Möbius”

“Möbius” Akiko Kurihara “a ball in a tube” silver, pearl

“Möbius” Akiko Kurihara “triangle” silver

“Möbius” Akiko Kurihara “bomb” earrings, silver, gold

“Möbius” Akiko Kurihara “alchemistic stick” gold, silver

GalerieGEDOKmuc
“Black Box”, Susanne Elstner, Susanne Holzinger, Christiana Jöckel, Kirsten Plank, Monika Vesely
Schleißheimer Str. 61, 80797 Munich

Türkenstr. 78, RGB, 1. Stock
“Winner Winner Vertical Dinner”, Samira Götz, Nadine Kuffner, Janina Stübler
80799 Munich

“Winner Winner Vertical Dinner”

Francoise Heitsch
“This is so contemporary ’’, Joohee Han, Naama Bergman, Shachar Cohen
Amalienstr. 19, 80333 Munich

“This is so contemporary ’’ Naama Bergman, necklace, 2012, intestine, rust, epoxy

Gallery Kobeia
“Bubble Land”, Bench 886 with exploration hunts of history, present, fantasy and jewellery by ten islanders
Luisenstr. 49, 80333 Munich

“Bubble Land” exhibition view

Elisabethstr. 16 Rgb.
“HANG”, Adam Grinovich, Heejoo Kim, Hyorim Lee, Nora Rochel, Julia Walter
80796 Munich

“HANG”

“HANG” Julia Walter

“HANG”

Day 4

Geschäft
“Conglomerate”, Laura Deakin, Doris Betz, Mielle Harvey, Henriette Schuster
Rothmundstr. 6, 80337 Munich

“Conglomerate” Mielle Harvey and Doris Betz

Studio Gabi Green
“SENSEability”, 14 artists
Gollierstr. 17, 80339 Munich

Kirsty Pearson

Libby Ward

Elin Flognman Potato necklace on the left – “Everyday Matter”, copper, leather, gold, brass, 2013

Rachel Darbourne

Helena Johansson Lindell

Viki Pearce broaches in recycled silver, scorched oak stands

“SENSEability”

Elin Flognman “Solid Gold Potato”

Elin Flognman “Artists fork”and Potato

“SENSEability”

Libby Ward

“SENSEability”

Schmuck in Gern Renate Scholz
“Welcome to Steinerberg”, Claudia Steiner (in the picture) + Ingrid Berg
Klugstr. 162, 80637 Munich

Antiquariat Zipprich
“Yesterday’s Papers” V. A. featuring Yesterdays Girl
Zieblandstr. 2, 80799 Munich

Volker Atrops

Volker Atrops talking about his work

Volker Atrops

Antiquariat Zipprich window from inside

Antiquariat Zipprich

This was not the first year Mr.Atrops has been exhibiting in the Antiquariat Zipprich, but maybe the last, because as he explained, the owners of the place, who are his friends are moving away from the premises. Here is a nice blog entry about one of his previous exhibitions http://greater-than-or-equal-to.com/2013/11/12/jewelry_and_culture/

Atelier von Gierke-Berr
12.-15.March, Do.-So. 11-18 h
“Microphilia”
Carina Chitsaz-Shoshtary, Annamaria Leiste
Schraudolphstr. 16, 80799 Munich
Tel. +49 171 3696009
” Adansonia digitata”
Arnaud Sprimont, Silke Fleischer, Carine van Landeghem, Peter Vermandere
Schraudolphstr. 16, 80799 Munich

Carine van Landeghem presenting the wood brooch “Caleidoscope”

Carine van Landeghem

Atelier von Gierke-Berr


Silke Fleischer Neckpiece in the middle – “A hot plate and a bowl of soup”, 2014, glazed printed ceramic, steel, polyester strap; white brooch on the left – “Hold on”, 2014, steel, brass, cotton; orage piece on the left – “Put on my uniform”, 2014, Silver 925, Bandage; Object at the bottom – “Fruits on the table”, 2014, silver 925; Black brooch on the right at the top – “Run through the moss”, 2014, hematite, steel, epoxy, rubber; From the series: Seven ways of going; Black brooch on the right – “Cause your eyes won’t see”, 2014, silver 925, brass, optyl

Arnaud Sprimont

Carina Chitsaz-Shoshtary

Atelier von Gierke-Berr

Atelier von Gierke-Berr
Arnaud Sprimont talking about his work

Me in the mirror

Adalbertstr. 11
“Union”, Jose Bravo, Nelly van Oost
Adalbertstr. 11, 80799 Munich

“Union” Nelly Van Oost jewelery

“Union”, Jose Bravo, Nelly van Oost

Windfall GmbH
The Postcon Project: Do You Speak Jewellery? Manuel Vilhena, Flora Vagi
Amalienstr. 81a, 80799 Munich

Manuel Vilhena presented an interesting and dynamic presentation about a jewelry school/ project (The Postcon Project) for young artists or teachers in the jewelry field. The presentation was really interesting and also very commercial.

Flora Vagi works with wood. She also exhibited her work in Galerie Biró Junior
“GBJ Projekt 3” and Windfall GmbH

Flora Vagi

Villa Stuck oppening of “GlAmour“
12.March “GlAmour Empfang”, Giampaolo Babetto, Robert Baines, Gabi Dziuba, Karl Fritsch, Daniel Kruger, Gerd Rothmann, Philip Sajet, Robert Smit, Lisa Walker.
Curated by Olga Zobel Biró
Prinzregentenstr. 60, 81675 Munich

GlAmour with a capital »A« – putting the accent on the essential
and important deep feeling of love.
Which happens to be part of the phenomena of glamour.
Glamour is not something superficial. It is something profound.
That is what this show is about.

– Philip Sajet

Info from Villa Stuck blog.
The exhibition was organized in collaboration with the Espace Solidor in southern France, where it was shown in the summer of 2014.

“GlAmour“ opening at Villa Stuck
Olga Zobel giving her opening speech in German

“GlAmour“ opening at Villa Stuck

Giampaolo Babetto

Giampaolo Babetto Spilla, 2014, white gold, diamonds, sapphires

Giampaolo Babetto

“GlAmour“ opening at Villa Stuck

Karl Fritsch

Philip Sajet

“GlAmour“ Robert Baines

Robert Baines

“GlAmour“ opening at Villa Stuck

Robert Baines

Karl Fritsch

“GlAmour“ opening at Villa Stuck

In an exceptional arrangement in the form of a course ( a continuous horizontal layer of similarly-sized building material), Villa Stuck showed about fifty different objectsten different artists in their historic rooms. The course of the “glamor” was designed by the Munich architect Muck Petzet who was also the architect of the German Pavilion in the 13th International Architecture Exhibition, La Biennale di Venezia 2012.

Gabi Dziuba

Daniel Kruger

Gerd Rothmann

Gerd Rothmann and Lisa Walker in the back

Lisa Walker, Gerd Rothmann

Gerd Rothmann

Villa Stuck

Tschechisches Zentrum
“Schnitt/Incision”, Stanislava Grebeníčková, Kateřina Matěchová, Pavel Opočenský, Jana Střílková, Jiří Šibor, Karel Votipka
Prinzregentenstr. 7, 80538 Munich

“Schnitt/Incision” Karel Votipka

“Schnitt/Incision”

“Schnitt/Incision” Kateřina Matěchová

Büro Hermann
“Salto Mortale”, Judith Pschibl, Nicola Scholz, Barbara Schrobenhauser
Heßstr. 27, 80798 Munich

This was one of my favorite galleries. The big glass windows made the room look bigger then it actually was. And I loved the way the drinks and snacks table was placed outside at the doors and people were standing outside chatting and looking at the exhibition through the window.

“Salto Mortale”

Judit Pschibl, Necklace, 2013, Polypropylen

“Salto Mortale”

ARTikel 3 Galerie ARTikel 3
“Falling into Place”, Despo Sophocleous
Luisenstr. 68, 80798 Munich

This was an extremely nice place. I liked the gallery the jewelry and the way it was arranged. And the nice thing about the jewelry pieces is that they actually fall into place.

“Falling into Place”

Galerie Biró
“Something New and Something Old”, Daniel Kruger
Zieblandstr. 19, 80799 Munich

Daniel Kruger, Brooch: Untitled, 2014 Cherry stones, silk, silver 10 x 8 x 8 cm

Daniel Kruger, Untitled, 2014 Silver, acrilyc glass, pigment

Daniel Kruger

Daniel Kruger, Untitled, 2014 750 gold, semi-precious stone beads, silver

Daniel Kruger

Galerie Biró
“Something New and Something Old”, Daniel Kruger

Daniel Kruger

People had to stand outside Galerie Biró because it was so crowded. Lucky for me I came about 20 min before the opening, so it was possible to see the pieces.

Atelier Sunkler
“Beloved Stangers”, Nicole Beck
Neureutherstr. 15, 80799 Munich

Nicole Beck

Nicole Beck putting on her piece

Nicole Beck

Atelier Sunkler

Nicole Beck

Day 5

Galerie Handwerk
“Re-public Jewellery”. Seminar produced by Martina Kaufmann, Prof. Ingjerd Hanevold and Prof. Anders Ljungberg, lectures: Yuka Oyama, Liesbet Bussche, Nanna Melland, Helen Carnac
Registration was required.
Max-Joseph-Str. 4, 80333 Munich

This was my favorite part in the Munich Jewellery Week! “Re-public Jewellery” was the first seminar on jewellery that I have ever attended and hopefully not the last. This project aimed to explore a more socially oriented approach to jewellery and return it to the public place where it belongs. That explains the “Re-public”.

Yuka Oyama, Sofia Björkman, Nanna Melland

Liesbet Bussche on the left

Panel discussion: Anders Ljungberg, Helen Carnac, Nanna Melland, Sigurd Bronger, Knut Astrup Bull,Yuka Oyama, Liesbet Bussche. Moderator: Sofia Björkman

Martina Kaufmann giving a comment about some artists from the exhibition


“Please sign here” Mobil Location: stunts in public space by ALLA, Emil Kristoffer Gustavsson, A 5 and Anna-Maria Saar and Nils Hint.

The aim of Please sign here – ALLA ft. Daniela Hedman is to create meetings between people.

Helen Carnac, Anders Ljungberg and Yuka Oyama at the Galerie Handwerk

Helen Carnac

Galerie Handwerk “From the Coolest Corner – Nordic Jewellery”

Kim Buck, Solitaire-ring and pearl-earings brooches, 2003

Daniela Hedman, necklace, “Toes” 2010, wood, leather, copper, nails, 40 x 2.5 cm x 4.5 cm

Julia Maria Künnap

Sigurd Bronger (?)

Sigurd Bronger

Jenny Klemming

“From the Coolest Corner – Nordic Jewellery”

Marta Mattsson

“From the Coolest Corner – Nordic Jewellery”

Tanel Veenre

“From the Coolest Corner – Nordic Jewellery”

Anette Dam: 84.5KT

“From the Coolest Corner – Nordic Jewellery”

Anna Talbot

“From the Coolest Corner – Nordic Jewellery”

Agnes Larsson

Julie Bach , “Big Berry Bracelet”, 2010, skin med stoppning

Daniela Hedman and Helga Ragnhildur Mogensen at the wall

“From the Coolest Corner – Nordic Jewellery”

Every Road Is Just Another Way Home by Lillan Eliassen, Norway

“From the Coolest Corner – Nordic Jewellery”

Annika Pettersson

Thorkild Thøgersen

Beatrice Brovia, Sweden, necklace “Binding Works II“, 2010, Cotton thread, stitching, latex tube, oxidized silver, magnets.

Josephine Winther “Ding” in the background
(Bell necklaces in various metal alloys)


Åsa Elmstam, Sweden, necklace “Things”, 2010, brass, plastic

Atelier Diana Dudek
“Silber aus dem See”, Robert Kis and Diana Dudek
Wörthstr. 23/I.St., 81667 Munich

Diana Dudek

Robert Kis pieces in the reflection

Steinstr. 59
“Blanco”, Aaron Patrick Decker, Anke Huyben, Steven Gordon Holman, Christie Schellings, Babs Zwanink
Steinstr. 59, 81667 Munich

“Blanco”, Anke Huyben

“Blanco” Babs Zwanink

“Blanco” Christie Schellings

“Blanco” Steven Gordon Holman

“Blanco” Christie Schellings

“Blanco”

ATTACHMENTS
Amy Peace-Buzzard, Peter William Clark, Abbie Williams, Natalia Sarrazin, Francisca Onumah, Hazel Clarrie Baker, Harriet Rose Knight, Ruth Conway, Sanna Eskola, Hayley Beckley
Donnersbergerstrasse 20a, Munich

ATTACHMENTS

HUIJ
“Hypnostone I₄ O”, Yiftah Avraham, Pia Groh, Typhaine le Monnier, Stephanie Morawetz, Katja Köditz
Westendstr. 49, 80339 Munich

In this small shop there was a room at the back that was completely dark and had a torch turning around in the middle of the room giving an impression of a lighthouse. It was turning pretty fast making it extremely hard to observe one piece for a longer time as you usually do with jewelry. But I like artists experimenting with the exposition and scenographie. I got lucky to visit the exhibition just at the moment when the batteries had to be replaced but it took about 10 min and everything was back in place.

“Hypnostone I₄ O”

Kunstpavillon
“Lux is the Dealer”, Alexander Blank, Kiko Gianocca, Stefan Heuser, Melanie Isverding, Jiro Kamata, Noon Passama
Sophienstr. 7a, 80333 Munich

“Lux is the Dealer”

“Lux is the Dealer” Noon Passama cleaning the table

“Lux is the Dealer” Noon Passama

“Lux is the Dealer”

“Lux is the Dealer” Alexander Blank

“Lux is the Dealer” Jiro Kamata

“Lux is the Dealer” Noon Passama

“Lux is the Dealer”

“Lux is the Dealer” Kiko Gianocca

“Lux is the Dealer” Noon Passama

“Lux is the Dealer” Noon Passama cleening the table and Jelizaveta posing

Münchner Residenz, Einsäulensaal
“Returning to the juwel, is a return From exile, Nr. 8”, Robert Baines, Karl Fritsch, Gerd Rothmann
Residenzstr. 1, 80333 Munich

Robert Baines

Karl Fritsch

Robert Baines

Observing Karl Fritsch rings

Robert Baines

Gerd Rothmann

Observing Karl Fritsch rings

Münchner Residenz, Einsäulensaal

Galerie Isabella Hund
THE NATURE OF STRUCTURE
Jacqueline Ryan
Frauenplatz 13, Munich

Margaritifera
“am um in”, Studenten aus Düsseldorf, Halle, Hildesheim, München, Pforzheim and Wismar
Meindlstr. 4, 81373 Munich

“am um in”

3stations

“Fault Line” Inyanim Group, Aviv Kinnel, Dana Seachuga, Deganit Stern-Schocken, Edda Vardimon-Gudnaon, Gregory Larin, Kobi Roth, Michal Oren, Rory Hooper, Shirly Bar-Amotz
Welserstr. 15 UG

“Work”, Students of the Academy of Fine Arts and Design Bratislava

“Oscure Sacrifice”, Jorge Manilla and Jonathan Hens, Dimitar Stankov
Welserstr. 11 UG, 81373 Munich

“A Touch of Steel”, Students of the Royal Academy of Fine Arts Antwerp
Welserstr. 11 UG, 81373 Munich

Day 6

Die Neue Sammlung –The International Design Museum Munich,
Pinakothek der Moderne
“Toni Greenbaum: MAG to SNAG: American Studio Jewelry, 1940-1970” (lecture)
Barerstr. 40, 80333 Munich

“Toni Greenbaum: MAG to SNAG: American Studio Jewelry, 1940-1970” (lecture)

Die Neue Sammlung –The International Design Museum Munich,
Pinakothek der Moderne
“Anton Cepka – Kinetischer Schmuck”
14.March.-7.June

It was not allowed to take photos in Anton Cepka exhibition, but there are a lot of them available on the Internet!

Die Neue Sammlung –The International Design Museum Munich,
Pinakothek der Moderne”Harebutai. A grand occasion. The Hiko Mizuno College of Jewelry Tokyo zu Gast in der Neuen Sammlung, Hiko Mizuno College invited by Die Neue Sammlung”
the space « under the staircase »
Eunyeon Lee — Oran No — Shinobu Yamazaki — Shunkou Chou — Mizuki Toda — Hikaru Yamanouchi — Inoue Sou — Ryo Ogawa — Airi Kaneko — Mio Sato — Risa Suzuki — Mio Tokairin — Momoka Miyakawa — Ayaka Miwa – Kim Hee Eun — Mizuno Shota — Saika Matsuda — Hiroaki Nagata — Yasuyo Hida – Mami Fujinaga — Marin Sekine — Yukiko Kaname — Kana Nakano

“Harebutai. A grand occasion. The Hiko Mizuno College of Jewelry Tokyo zu Gast in der Neuen Sammlung, Hiko Mizuno College invited by Die Neue Sammlung”